"The Walk" by Gene Back had its release date on November 12, 2021. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gene Back's "Holler (Original Motion Picture Soundtrack)" album is number 3 out of 18. The Walk is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Walk by Gene Back to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Complejo De Inferioridad | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Birth of Mary | Timothy Williams | F♯ Major | 1 | 2B | 100 BPM | ||
| Gymnopedie No. 1 (Amazon Original) | MARGOT | G Major | 2 | 9B | 75 BPM | ||
| What's A Toxicology Report? | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 129 BPM | ||
| Ascension | The Ayoub Sisters | A Minor | 1 | 8A | 61 BPM | ||
| Baby Feeds | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| The Four Seasons: Summer 2 | Delirium Musicum, Étienne Gara | G Minor | 1 | 6A | 88 BPM | ||
| Tangeri | Paolo Buonvino | F Major | 2 | 7B | 106 BPM | ||
| Seducing Hayes / Frances and Gephart | John Debney | C Major | 1 | 8B | 143 BPM | ||
| At The Hour Of Our Death | Gene Back | G Major | 1 | 9B | 142 BPM | ||
| Legacies | Gene Back | G Major | 1 | 9B | 142 BPM | ||
| Dalgliesh Arrives | Andrew Simon McAllister | E♭ Major | 2 | 5B | 136 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Almost As Beautiful As His Mother | Debbie Wiseman | F Major | 1 | 7B | 92 BPM | ||
| El maestro de la Alta Costura | Alberto Iglesias, Juan Pérez Floristán | D♭ Minor | 1 | 12A | 117 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Sandpiper’s Grave | Mia Brentano, Benyamin Nuss, Deutsches Filmorchester Babelsberg, Christian Köhler | E♭ Major | 1 | 5B | 68 BPM | ||
| I've Been Involved For Thirty Years | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Acuerdos Imposibles | Las Guerreras | F♯ Minor | 2 | 11A | 120 BPM | ||
| Con Gli Occhi Dell'Altro | Andrea Guerra | F Minor | 1 | 4A | 72 BPM | ||
| Roma vista dal cielo | Stefano Lentini | F Major | 2 | 7B | 106 BPM | ||
| Susie Glass | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| Gli Uffizi | Matteo Curallo | B♭ Major | 2 | 6B | 87 BPM | ||
| Dieci minuti | Andrea Farri | B Minor | 4 | 10A | 80 BPM |