"Mercutio Wins A Bet" by Ann Rachlin had its release date on 1983. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Mercutio Wins A Bet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Romeo And Juliet - The Story Of The Ballet". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Mercutio Wins A Bet's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mercutio Wins A Bet by Ann Rachlin having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| My Fair Lady, Act I Scene 7: Ascot Gavotte | Frederick Loewe, Sinfonia Of London, John Wilson | F♯ Minor | 3 | 11A | 62 BPM | ||
| Der Schneemann: Moderato | Erich Wolfgang Korngold, Matthias Bamert, BBC Philharmonic Orchestra, Peter Manning | F Major | 0 | 7B | 130 BPM | ||
| Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour | Georges Bizet, Orchestre National De France, Jean Martinon | G Major | 2 | 9B | 147 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Calming January Story by Tchaikovsky | Royal Orchestra | E Major | 1 | 12B | 74 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| フルート4重奏のための 想い出は銀の笛 5 ブルー・パステル | Lynx | A Minor | 1 | 8A | 65 BPM | ||
| The Fire Dance of Luna | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Peter and the Wolf, Op. 67: II. The Story Begins | Wiener Opernorchester | A♭ Major | 1 | 4B | 97 BPM | ||
| Otto e mezzo - Valzer dei fiori / Remastered 2026 | Nino Rota | C Minor | 1 | 5A | 115 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Wuthering Heights - Cathy's Theme - From "Wuthering Heights" | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | D♭ Major | 2 | 3B | 88 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Mother Tree | Saleh Sarabov, Saleh Sarab | A♭ Major | 3 | 4B | 110 BPM | ||
| Sinfonietta for Orchestra: Ic. Grave, Pt. 3 (Live) | Maya Badian, Brasov Philharmonic Orchestra, Ilarion Ionescu-Galati | A♭ Major | 3 | 4B | 146 BPM | ||
| The Fairy Godmother And The Spring Fairy | Ann Rachlin | C Minor | 1 | 5A | 117 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM | ||
| Mexicali Rose | Helen Stone, Jack Tenney, Annunzio Paolo Mantovani | C Major | 1 | 8B | 81 BPM | ||
| Suite 2 - From The Bishop's Wife, 1947 | Cary Grant, Hugo Friedhofer | E♭ Major | 4 | 5B | 99 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 3 The Duck - Dialogue With the Bird; Attack of the Cat | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
| Der Carneval in Paris Galopp, Op. 100, "The Carnival in Paris" | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 2 | 1B | 133 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
| Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM |