"歌曲集「2つの詩」 II. もっと速く行こう" by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) had its release date on March 31, 1999. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 歌曲集「2つの詩」 II. もっと速く行こう's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「2つの詩」 II. もっと速く行こう" is a single. Based on our statistics, 歌曲集「2つの詩」 II. もっと速く行こう's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌曲集「2つの詩」 II. もっと速く行こう by F. プーランク, 村田健司(バリトン・レジェ), 上原ひろ子(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | C Major | 0 | 8B | 138 BPM | ||
| Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: I. Romanze (Andante con doulo) | Carl Nielsen, Markus Becker, Albrecht Mayer | C Minor | 0 | 5A | 110 BPM | ||
| Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 0 | 8B | 138 BPM | ||
| Larghetto for Horn and Orchestra | Emmanuel Chabrier, Hermann Baumann, Gewandhausorchester, Kurt Masur | B♭ Major | 0 | 6B | 135 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | C Major | 0 | 8B | 138 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| The Birds, P. 154: V. The Cuckoo | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Flower in the Wind | Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | C Major | 0 | 8B | 138 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | C Major | 0 | 8B | 138 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM | ||
| Piano Concerto in C Minor, Wq. 43/4: III. Tempo di minuetto | Carl Philipp Emanuel Bach, Michael Rische, Berliner Barock Solisten | C Major | 0 | 8B | 138 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Andante et rondo, Op. 25: No. 2, Rondo | Franz Doppler, Karl Doppler, Wolfgang Schulz, Matthias Schulz, Ferenc Bognar | C Major | 1 | 8B | 115 BPM | ||
| 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. A. de la Vega for Flute & Piano) | Gabriel Fauré, Ana de la Vega, Paul Rivinius | F Minor | 0 | 4A | 83 BPM |