Ralph Covert & The Bad Examples's ' "Reaching for Shadows" was released on its scheduled release date, July 10, 1987. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ralph Covert & The Bad Examples's "Meat: the Bad Examples" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Reaching for Shadows's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Reaching for Shadows by Ralph Covert & The Bad Examples to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lucky One | Freedy Johnston | G Major | 4 | 9B | 104 BPM | ||
| So You Think You're In Love | Robyn Hitchcock & The Egyptians | E Major | 8 | 12B | 129 BPM | ||
| Whaich Ever Comes Last | Hardy Landon | E Major | 5 | 12B | 113 BPM | ||
| Reaching for Shadows | Ralph Covert & The Bad Examples | A Major | 8 | 11B | 152 BPM | ||
| Pass It On | Lone Justice | D Major | 7 | 10B | 111 BPM | ||
| Somebody Else's Body | Urge Overkill | B Major | 6 | 1B | 138 BPM | ||
| Under The Light Of The Moon | The Merrymakers | G Major | 7 | 9B | 112 BPM | ||
| Promises in the Dark | Ralph Covert & The Bad Examples | G Major | 5 | 9B | 112 BPM | ||
| Time Wraps Around You | Velvet Crush | A Major | 6 | 11B | 102 BPM | ||
| Sentimental Favorite | Owsley | D Major | 7 | 10B | 88 BPM | ||
| Dog | Dada | D♭ Major | 7 | 3B | 130 BPM | ||
| Very Best Years | The Grays | G Major | 6 | 9B | 175 BPM | ||
| Now She Knows She's Wrong | Jellyfish | G Minor | 5 | 6A | 122 BPM | ||
| Man Underwater | Ralph Covert & The Bad Examples | E Major | 7 | 12B | 125 BPM | ||
| Waiting Such A Long Long Time | World Party | E Minor | 8 | 9A | 133 BPM | ||
| Let's Take Some Drugs and Drive Around | The Silos, Walter Salas-Humara | D Major | 8 | 10B | 126 BPM | ||
| England's Latest Clown | Graham Parker | C Major | 4 | 8B | 97 BPM | ||
| Slowly, Slowly | Magnapop | D Major | 6 | 10B | 126 BPM | ||
| Don't You Write Her Off | McGuinn, Clark & Hillman | D Major | 4 | 10B | 96 BPM | ||
| My Before and After | Cotton Mather | A♭ Major | 9 | 4B | 113 BPM | ||
| Way Down Now | World Party | F Major | 10 | 7B | 111 BPM | ||
| Don't Wait Up for Me | Paul Collins, The Beat | D Major | 6 | 10B | 143 BPM | ||
| You Just Don't Wanna Know | Jules And The Polar Bears | A Minor | 5 | 8A | 130 BPM | ||
| Some Other Time | The Shazam | E Major | 8 | 12B | 127 BPM | ||
| She's Got A Way | The Smithereens | F♯ Major | 9 | 2B | 131 BPM |