On October 17, 1997, the song "Satyulya Shilavati" was released by C. Ashwath. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Satyulya Shilavati's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Nagamandala (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. In terms of popularity, Satyulya Shilavati is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Satyulya Shilavati by C. Ashwath having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seere Seere Seere | V. Manohar, Sangeetha Katti, Sriranga | D Major | 4 | 10B | 179 BPM | ||
| Mayada Manda Bhara | C. Ashwath, Gopal Yagnik, Ratanamala Prakash, Prakash Raj, Vijaya Lakshmi | E Major | 7 | 12B | 170 BPM | ||
| Sri Maathe Bhagyadaathe | B.K. Sumitra | G Major | 6 | 9B | 76 BPM | ||
| Yenaithi Olaga Yenaithi | Gururaj Hosakote, Malgudi Subha, Hamsalekha | C Major | 7 | 8B | 95 BPM | ||
| Oh Nanna Hudugi | RAGHAVENDRA RAJKUMAR | D♭ Major | 8 | 3B | 91 BPM | ||
| Bandano Govinda | Shashidhar Kote | A♭ Minor | 6 | 1A | 177 BPM | ||
| Benna Hinde - Reprise | B. Jayashree, Hamsalekha | B♭ Minor | 3 | 3A | 140 BPM | ||
| Sobana Venni | M. S. Ravigowda, B. Jayashree, Nandita | E Major | 6 | 12B | 114 BPM | ||
| Garikeya Priyane | Rajesh Krishnan | D Minor | 9 | 7A | 95 BPM | ||
| Hegiddaru | Vishnuvardhan, Renuka, Sathyam, Chi. Udayashankar | D Major | 8 | 10B | 120 BPM | ||
| Karune Thorisammma | Manjula Gururaj, Sangeetha Katti, Sathyam, Chi. Udayashankar | F♯ Major | 5 | 2B | 129 BPM | ||
| Ako Shaama | Premalatha Divakar | C Major | 4 | 8B | 160 BPM | ||
| Deepawali Jyothi | S. P. Balasubrahmanyam, Sangeetha Katti, P. Susheela | D♭ Minor | 5 | 12A | 102 BPM | ||
| Baare Baare | Rajesh Krishnan, Rathnamala Prakash, Hamsalekha | A Major | 5 | 11B | 132 BPM | ||
| Haleya Haadugala Maru Mishrana | Various Artists, Sadhu Kokila, Ranganath | B♭ Minor | 7 | 3A | 70 BPM | ||
| Swamy Getalu | Madhu Balakrisha | D♭ Major | 8 | 3B | 200 BPM | ||
| Ananda Ananda | Manjula Prakash, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Preethi Mutta Kaledu Hota | Basavaraja Narendra, B. R. Chaya | E Major | 5 | 12B | 147 BPM | ||
| Badatana Bandaga | Shabbir Dange, Nandita | G Minor | 5 | 6A | 140 BPM | ||
| Hogona Hogona | Guru Kiran, Shamitha | E♭ Minor | 9 | 2A | 95 BPM | ||
| Arithavanu Neenu | Rajkumar | F Minor | 6 | 4A | 144 BPM | ||
| Neenilladhe | Mangala Ravi | C Major | 8 | 8B | 124 BPM | ||
| Pallavagala Pallaviyali | Ratnamala Prakash | B♭ Major | 5 | 6B | 164 BPM | ||
| Balagala Ittu Barutini Olaga | Shabbir Dange, Chandrika Gururaj | A Minor | 5 | 8A | 156 BPM | ||
| Naadapriya Omkara Shankara | Malathi Sharma, Ratnamala Prakash | G Minor | 7 | 6A | 118 BPM |