Rajesh Krishnan, Rathnamala Prakash, Hamsalekha's ' "Baare Baare" was released on its scheduled release date, August 6, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hamsalekha's "Gadi Bidi Krishna" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Baare Baare's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Baare Baare by Rajesh Krishnan, Rathnamala Prakash, Hamsalekha to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ethu Yenna Rathiri | Laxmikant Pyarelal, Vairamuthu, K. J. Yesudas | E Minor | 5 | 9A | 123 BPM | ||
| Jailalli Hutti | Mano, Ilaiyaraaja | B♭ Major | 7 | 6B | 125 BPM | ||
| Saki O Saki | Rajesh Krishnan, Nanditha, Shashank | A♭ Minor | 7 | 1A | 135 BPM | ||
| Hai Bangalore | Manu, Hamsalekha, Abhijith, Shashi Kumar, Shilpa, Shweta | E Minor | 9 | 9A | 97 BPM | ||
| Nyayavemba Vastra - Studio | Surekha, Shamitha | B♭ Minor | 4 | 3A | 101 BPM | ||
| Dharwad Ura Chanda | Basavaraj Narendra, Anuradha Bhat | A Major | 6 | 11B | 176 BPM | ||
| Henninaseye Kumkuma | Archana Udupa,V.Nagendra Prasad | G Major | 7 | 9B | 87 BPM | ||
| Nagaloka Bhuviyali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Guruvige Guru | Dr. Rajkumar | D Major | 7 | 10B | 85 BPM | ||
| Joru Joru | Rajesh Krishnan, Archana Ravi | C Major | 7 | 8B | 177 BPM | ||
| Neeti Surya | Pradeep Raj, Sunny Raj, Archana Udupa | B Major | 8 | 1B | 187 BPM | ||
| Hoova Hidakonda | Dunddappa Kesara Koppa, Shamita | G Major | 7 | 9B | 110 BPM | ||
| Varushadinda Kaadenayya | Rangaswamy Gangothri | D Major | 6 | 10B | 129 BPM | ||
| Valigavo Swamy | M. S. Ravigowda, B. Jayashree, Nandita | G Minor | 6 | 6A | 171 BPM | ||
| Kavyavu Hosa - Male Vocals | Rajkumar, Rajesh Ramanath, Shivarajkumar, Rubainaa, Neelam | D Major | 4 | 10B | 120 BPM | ||
| Supero Supero | S. P. Balasubrahmanyam, K. S. Chithra, Manjula Gururaj, Hamsalekha, Shivarajkumar, Shivranjini | B Minor | 3 | 10A | 67 BPM | ||
| Malago Malagenna | Apoorva Sridhar | G Minor | 4 | 6A | 160 BPM | ||
| Baare Baare | Rajesh Krishnan, Rathnamala Prakash, Hamsalekha | A Major | 5 | 11B | 132 BPM | ||
| Nanna Hrudayada Devate Neenu - From "Naane Nara Rakshasa" | All Ok, Vaishnavi T M, P Neethu Ninaad | F♯ Minor | 9 | 11A | 106 BPM | ||
| Satyulya Shilavati | C. Ashwath | E Minor | 7 | 9A | 90 BPM | ||
| Are Jinga Jingaale | Rajesh Krishnan, Chitra, Rajesh Ramnath, S. Narayan | C Major | 4 | 8B | 156 BPM | ||
| Jeeva Kolabyaada | Basavaraj Narendra, Divya | E Major | 5 | 12B | 117 BPM | ||
| Hatti Barthidella Hudgi Hattara Bussa | Ishwar Master Kanakur | B Minor | 3 | 10A | 115 BPM | ||
| Haakida Janivaarava | B.R. Chaya, Shivamogga Subbanna | D Major | 8 | 10B | 115 BPM | ||
| Hogi Bartini | Shabbir Dange | D♭ Major | 10 | 3B | 110 BPM |