John Patrick Elliott's 'Conjuring Ken' had a release date set for October 25, 2024. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Conjuring Ken's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Patrick Elliott's "KENREX (Music from the Play)" album is number 3 out of 15. Based on our statistics, Conjuring Ken's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Conjuring Ken by John Patrick Elliott to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reflectionscape | Yoga Mind | E♭ Major | 1 | 5B | 86 BPM | ||
| Empty Cafés | Nostalgic Nights | F Major | 0 | 7B | 201 BPM | ||
| Don't Lose Hope | Dickon Hinchliffe | D Major | 1 | 10B | 70 BPM | ||
| Rolling Down the Freeway | Art Schop | E♭ Minor | 3 | 2A | 106 BPM | ||
| Ocean Silence | Nairo Senn | D♭ Minor | 5 | 12A | 166 BPM | ||
| Mirror of the Lake | Infinity Nikki, FoldEcho | E♭ Major | 2 | 5B | 140 BPM | ||
| reclamation | Julien Verschooris | F♯ Major | 1 | 2B | 131 BPM | ||
| Ekei Pou Ola Ginontai - From The Soundtrack "Ta Kalanta Ton Hristougennon" / Orchestral Version | Mikes Billis | A Minor | 5 | 8A | 96 BPM | ||
| Pure Dreams | Oria Fields | F♯ Major | 7 | 2B | 95 BPM | ||
| we overflow the streets and squares like the sea in a spring tide... and that very instant the tyrants of the Earth shall bite the dust | Tashi Dorji | A Major | 0 | 11B | 171 BPM | ||
| Vesna's Waltz | John Patrick Elliott | C Minor | 2 | 5A | 68 BPM | ||
| Conjuring Ken | John Patrick Elliott | D Minor | 3 | 7A | 125 BPM | ||
| Tape Flip | John Patrick Elliott | D Major | 3 | 10B | 174 BPM | ||
| Poundland | Vernall | F Minor | 1 | 4A | 76 BPM | ||
| Feels Like Madness to Me | John Patrick Elliott | D Major | 3 | 10B | 174 BPM | ||
| Forgiveness | John Patrick Elliott | E Minor | 6 | 9A | 156 BPM | ||
| Layer by Layer | Rena Jones | E♭ Major | 1 | 5B | 103 BPM | ||
| Jaques Go Huldén | Pernilla Andersson | B♭ Major | 5 | 6B | 130 BPM | ||
| A Legacy from Your Goodbye | Let My Life Be Last | G Major | 6 | 9B | 120 BPM | ||
| 111 Hz Intuição | NG Healing | D Major | 1 | 10B | 86 BPM | ||
| Call You Mabel | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM | ||
| A Coiled Telephone Cable In A Dimly Lit Kitchen | Phosphorescent | D♭ Major | 3 | 3B | 77 BPM | ||
| Morgana | Movlan Turabov, Moklan | F♯ Minor | 1 | 11A | 150 BPM | ||
| F.O.L.O | Adi Goldstein, Elad Sikel | C Major | 4 | 8B | 90 BPM | ||
| Balla senza farti vedere | Teho Teardo | G Major | 7 | 9B | 85 BPM |