Jean-Joseph Mouret, Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz's ' "Sinfonies de Fanfare In D Major: 1. (without tempo indication)" was released on its scheduled release date, January 1, 1996. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz's "Lalande / Mouret: Simphonies & Fanfares" album is number 1 out of 41. The popularity of Sinfonies de Fanfare In D Major: 1. (without tempo indication) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sinfonies de Fanfare In D Major: 1. (without tempo indication) by Jean-Joseph Mouret, Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Guitar Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Christopher Parkening, Iona Brown, Academy of St. Martin in the Fields | C Major | 3 | 8B | 95 BPM | ||
| Trumpet Concerto in D Major, TWV 51:D7: I. Adagio | Georg Philipp Telemann, Miroslav Kejmar, Capella Istropolitana, Peter Skvor | E♭ Major | 2 | 5B | 137 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 4 : IV. Allegro - Allegro | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | D Major | 2 | 10B | 72 BPM | ||
| Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
| Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
| Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
| Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
| Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
| Symphony No. 50 in D Minor, Op. 10, No. 5: Symphony No. 50 in D Minor: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 0 | 10B | 91 BPM | ||
| Symphony No. 2 in D Major: I. Allegro | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 137 BPM | ||
| Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| Zürcher Sechseläutenmarsch | Conrad Zwicky | G Major | 2 | 9B | 98 BPM | ||
| Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
| Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
| Suite de symphonies No. 1: I. Rondeau (Arr. R. Smedvig) | Jean-Joseph Mouret, Michael Murray, Rolf Smedvig | A Major | 3 | 11B | 84 BPM | ||
| Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
| Fanfare on "Ellacombe" | Paul Fey | B♭ Major | 2 | 6B | 68 BPM | ||
| Suites de Symphonies: Second Suite - Arr. Janetzky: 4. Gavotte I - II | Jean-Joseph Mouret, Hermann Baumann, Radovan Vlatkovic, Les Trompes De France, Academy of St. Martin in the Fields, John Constable, Iona Brown | D Major | 2 | 10B | 82 BPM | ||
| Symphony in E-Flat Major, Op. 11, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E♭ Major | 0 | 5B | 83 BPM | ||
| Canzon septimi toni, Ch. 172 | Giovanni Gabrieli, London Symphony Brass, Eric Crees | B♭ Major | 1 | 6B | 107 BPM | ||
| Three Pieces for Musical Clock: Menuett - Allegretto | Joseph Haydn, William McVicker | G Minor | 0 | 6A | 74 BPM | ||
| Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 100 BPM | ||
| Trumpet Concerto No. 1 in D Major, MWV 6:32: Trumpet Concerto No. 1 in D Major: II. Adagio | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | E♭ Major | 1 | 5B | 116 BPM |