Luigi Denza, Peppino Turco, Mario Lanza's 'Funiculì, Funiculà' had a release date set for December 19, 1948. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Funiculì, Funiculà's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario Lanza's "Just Her" album is number 35 out of 44. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Funiculì, Funiculà's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Funiculì, Funiculà by Luigi Denza, Peppino Turco, Mario Lanza to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tchaikovsky's Piano Concerto No 1 | Liberace | D♭ Major | 2 | 3B | 90 BPM | ||
| Nessun Dorma! | Mario del Monaco | G Minor | 5 | 6A | 111 BPM | ||
| Moon River | Harry Secombe | F Major | 5 | 7B | 83 BPM | ||
| I Could Have Danced All Night (My Fair Lady) | Frederick Loewe, Fatma Said, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | C Major | 1 | 8B | 116 BPM | ||
| The Drinking Song (From "Student Prince") | Joseph Locke | E♭ Major | 2 | 5B | 86 BPM | ||
| Serenade | Mario Lanza | E♭ Major | 2 | 5B | 91 BPM | ||
| No Supimos Amarnos | LOS TRAMPOSOS DEL NORTE | F Major | 8 | 7B | 121 BPM | ||
| Merry Widow Waltz | Harry Secombe, Moira Anderson | G Major | 3 | 9B | 131 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Dreamy December Oldies | Oldies Playing | B♭ Major | 1 | 6B | 65 BPM | ||
| A Kind Of Loving | Glenn Yarbrough | G Major | 2 | 9B | 96 BPM | ||
| The Hallelujah Chorus | London Philharmonic Choir | D Major | 2 | 10B | 93 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
| Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
| What I Did For Love | Des O'Connor | D♭ Major | 1 | 3B | 77 BPM | ||
| Voices of Spring, Waltz, Op. 410 (Arr. Rogers & Chacksfield) | Johann Strauss II, Frank Chacksfield & His Orchestra | E♭ Major | 3 | 5B | 146 BPM | ||
| Love's Last Word Is Spoken | Mario del Monaco | G Minor | 5 | 6A | 111 BPM | ||
| Some Enchanted Evening (From "South Pacific") | Mitzi Gaynor, Giorgio Tozzi | B♭ Major | 2 | 6B | 89 BPM | ||
| Don Giovanni K527 (1987 Digital Remaster): Mi tradì quell' alma ingrata | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | E♭ Major | 1 | 5B | 90 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Torna A Surriento | Tito Schipa | F Major | 1 | 7B | 91 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Antico canto siciliano | Christopher Howell, Ambra Noè | G Major | 1 | 9B | 74 BPM | ||
| Coward: Bitter Sweet, Act 2: "When we're thoroughly wined and dined" (Captain Lutte, Officers) | Noel Coward, John McCarthy Singers/Johnny Douglas & His Orchestra | B♭ Major | 4 | 6B | 142 BPM |