On November 3, 1978, the song "La Pollera Colora" was released by Néstor Torres. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 9 in Colombia En Charanga by Néstor Torres. Going off of the ISRC code of this track, we detected that the origin of this track is from Colombia. In terms of popularity, La Pollera Colora is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of La Pollera Colora by Néstor Torres is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calle Luna Groove | Son del Barrio Jazz Quintet | D Major | 8 | 10B | 106 BPM | ||
| Walk on By | Bob Baldwin | F Major | 6 | 7B | 91 BPM | ||
| Arthur's Dance (Danzón para Arturo) | Caribbean Jazz Project | F Minor | 5 | 4A | 131 BPM | ||
| Sol to Soul | Freddie Ravel | G Minor | 8 | 6A | 131 BPM | ||
| Juliet | Ken Navarro | A Minor | 6 | 8A | 102 BPM | ||
| Silencio compartido | Auralyx | D Major | 8 | 10B | 106 BPM | ||
| Montuno Bay | Marc Antoine | A♭ Major | 8 | 4B | 82 BPM | ||
| No Pienses Así | Tito Puente & His Latin Ensemble | A♭ Major | 1 | 4B | 77 BPM | ||
| Strut | Kevin Toney | C Minor | 8 | 5A | 90 BPM | ||
| Favela | Lee Ritenour, Eric Marienthal | A Minor | 5 | 8A | 115 BPM | ||
| The Last Bullfighter | Jazz On The Latin Side All Stars, Justo Almario, Ramon Flores, Alex Acuña, Francisco Aguabella, Danilo Lozano | B♭ Minor | 7 | 3A | 96 BPM | ||
| Felicia | Roberto Vazquez | E Minor | 9 | 9A | 164 BPM | ||
| Circumstances | Doc Powell | E Minor | 4 | 9A | 100 BPM | ||
| Raices Jam | Tony Succar, Pablo Gil, Raices Jazz Orchestra | F Major | 7 | 7B | 106 BPM | ||
| Samba Do Suenho | Eddie Palmieri | D Minor | 4 | 7A | 169 BPM | ||
| Medley: The Way/La Via | Mark Towns, Kirk Whalum | F♯ Minor | 6 | 11A | 148 BPM | ||
| Maybe Tonight | Nestor Torres | B♭ Minor | 7 | 3A | 98 BPM | ||
| Shakin Not Stirred | Brian Hughes | B♭ Minor | 7 | 3A | 137 BPM | ||
| Caribbean Sunset | Roberto Perera | G Major | 4 | 9B | 82 BPM | ||
| Monday Speaks | Everette Harp | F Major | 8 | 7B | 107 BPM | ||
| Come Morning | Paul Taylor / Peter White | E♭ Minor | 6 | 2A | 75 BPM | ||
| Doesn't Really Matter | Néstor Torres | F Minor | 8 | 4A | 99 BPM | ||
| Catarey MerenJam | Alex Diaz | E Minor | 8 | 9A | 119 BPM | ||
| Coffee Street | Andy Narell, Louis Mhlanga, Keith Jones, Paul van Wageningen, Jesus Diaz | A Major | 2 | 11B | 61 BPM | ||
| Senjo Wine | Acoustic Alchemy | G Major | 8 | 9B | 105 BPM |