Traditional, Turlough O'Carolan, Margie Butler, Florie Brown, Paul Espinoza's 'Mrs. McDermott's - Planxty George Brabazon (Arr. M. Butler)' had a release date set for January 1, 2004. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Traditional, Margie Butler's "Margie Butler: Carolan's Draught - Celtic Harp" album is number 7 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Mrs. McDermott's - Planxty George Brabazon (Arr. M. Butler) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mrs. McDermott's - Planxty George Brabazon (Arr. M. Butler) by Traditional, Turlough O'Carolan, Margie Butler, Florie Brown, Paul Espinoza to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Thirsty of Your Mercy | Kpakurukpa | D♭ Major | 0 | 3B | 78 BPM | ||
| Deep River | Negro Spiritual, Traditional, Trondheim Kammerkor | E♭ Major | 0 | 5B | 119 BPM | ||
| Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D Minor | 2 | 7A | 168 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | F Major | 1 | 7B | 176 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 78 BPM | ||
| Snow Angel (Live) | Sarah Quartel, Halifax Camerata Singers, Hilary Brown, Jeff Joudrey, Lynette Wahlstrom | C Minor | 2 | 5A | 178 BPM | ||
| Ave Maria C | Ryan Marvel, Heidi Mausbach | C Major | 1 | 8B | 122 BPM | ||
| Choral Prayer Contemplative Faith Music | Christian Orthodox Chants, Father Nicolas Malek, The Orthodox Church Music Ensemble | F Major | 1 | 7B | 102 BPM | ||
| Don oíche úd i mBeithil (Arr. S. Vango) | Traditional, Papagena | F Major | 1 | 7B | 170 BPM | ||
| Saltarello | Anonymous, Jessica Baran-Surel | D Minor | 5 | 7A | 130 BPM | ||
| When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
| The King of Denmarks Delight | Tobias Hume, Jordi Savall | G Major | 0 | 9B | 81 BPM | ||
| Lord's Prayer | Kiev Chamber Choir | F Major | 2 | 7B | 133 BPM | ||
| Irish Blessing - SATB | Bob Chilcott, The Oxford Choir | C Major | 0 | 8B | 77 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 3 | 2A | 99 BPM | ||
| The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| Mystic Reflections for Healing | Wonderworker, The Choir of Eparchy of Tripoli | A Minor | 4 | 8A | 106 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Dulcis Christe | Michel Angelo Grancini, Maria Choir, Gunnar Nordenfors, Bror Samuelson | G Minor | 0 | 6A | 78 BPM | ||
| Agnus Dei | Samuel Barber, Seán Matthew Deibler, Choral Arts Society of Philadelphia, The Music Group of Philadelphia | B Major | 2 | 1B | 72 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM |