Rajeswari Dutta's 'Nilanjanachhaya Prafulla Kadambabon' had a release date set for January 1, 1961. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 17 in Bajey Karuna Surey by Rabindranath Tagore, Rajeswari Dutta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nilanjanachhaya Prafulla Kadambabon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nilanjanachhaya Prafulla Kadambabon by Rajeswari Dutta is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jagate Ananda Yogge | Mita Chatterjee, Rabindranath Tagore | C Major | 2 | 8B | 122 BPM | ||
| Amay Onek Boro | Subir Nandi | A♭ Major | 5 | 4B | 135 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Ore Kon Ba Jharer Bansh Re | Gostho Gopal Das | F Major | 5 | 7B | 103 BPM | ||
| Maa Tor Kato Rango Dekhbo Bal | Pannalal Bhattacharya | C Major | 3 | 8B | 71 BPM | ||
| Hridi Padde Charana Rakho | Anup Jalota | F Major | 4 | 7B | 123 BPM | ||
| Pagla Hawar Badol Dinee | Rezwana Choudhury Bannya | D♭ Major | 5 | 3B | 88 BPM | ||
| Khelichha E Viswa Loye | Anup Jalota | A♭ Minor | 1 | 1A | 150 BPM | ||
| Sree Gurobe Namoh | Aditi Munshi | C Major | 5 | 8B | 142 BPM | ||
| Ma Mago Ma Ami Elem Tomar Kole | Manna Dey | F Major | 5 | 7B | 110 BPM | ||
| Dakshina Kali Dhyan Mantra | Natraj Chatterjee | E Minor | 5 | 9A | 116 BPM | ||
| Sudhu Tumi | Bhoomi | A Major | 4 | 11B | 166 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Keu Bale Phalgun | Jatileswar Mukherjee | A Major | 3 | 11B | 93 BPM | ||
| O Bidhi Amay Kalo Korle Jodi | Bhupen Hazarika | E Minor | 3 | 9A | 72 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Adyastab | Swagatalakshmi Dasgupta | F♯ Major | 3 | 2B | 127 BPM | ||
| Maa Go Anandamoyee | Gurujeet Singh | F Major | 4 | 7B | 97 BPM | ||
| Rone Bone Jangale | Rima Das Gupta | E Minor | 3 | 9A | 141 BPM | ||
| Bhaba - Sagar - Taran - Karan He Gurubandana | Chorus | D♭ Major | 3 | 3B | 98 BPM | ||
| Dil Se Teri Nigah Jigar Tak Utar Gayi | K. L. Saigal | B♭ Major | 3 | 6B | 118 BPM | ||
| Pipasa Hay Nahi Mitilo | Rajeswari Dutta | G Minor | 5 | 6A | 66 BPM | ||
| Roshe Valla Myani | Shameem Azad | A Minor | 5 | 8A | 128 BPM | ||
| Jete Jete Ekla Pothe | Srikanta Acharya | A♭ Major | 4 | 4B | 103 BPM |