Anup Jalota's ' "Hridi Padde Charana Rakho" was released on its scheduled release date, January 1, 1985. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anup Jalota's "Mana Japa Nam" album is number 5 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Hridi Padde Charana Rakho's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hridi Padde Charana Rakho by Anup Jalota to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jadi Tor Dak | Srikanta Acharya | C Major | 6 | 8B | 131 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Hare Krishna Vol 6 Part 1 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Jindagi Uski Kya Jindagi | Manna Dey | F Minor | 5 | 4A | 83 BPM | ||
| Diner Seshe | Hemanta Mukhopadhyay | E Minor | 4 | 9A | 124 BPM | ||
| Mayer Deowa Mota Kapor | Maadal | B♭ Major | 6 | 6B | 152 BPM | ||
| Sunya E Buke Pakhi Mor | Anup Ghoshal | A♭ Major | 3 | 4B | 142 BPM | ||
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Bhajore Bhajore Kali Naam | Parikshit Bala | E♭ Major | 6 | 5B | 81 BPM | ||
| Amar Barir Pison Diya | Momtaz, Rekha Akter, Nila Pagli | F♯ Major | 8 | 2B | 99 BPM | ||
| Shivaji Nu Halardu - Contemproary Folk Lullabies | Lalitya Munshaw | B♭ Major | 4 | 6B | 96 BPM | ||
| O Maa Tara Bosna Kache | Raghab Chattopadhyay | F♯ Major | 5 | 2B | 145 BPM | ||
| Shyamji Sun Lo Na Mera Dil Ki Pukar | Pyare Chauhan | E Minor | 8 | 9A | 82 BPM | ||
| Uchatano Mon Gharey Roi Na | Mohammed Rafi | D♭ Major | 4 | 3B | 129 BPM | ||
| Bharat Ajio Bholeni Birat | Satya Chowdhury, Kazi Nazrul Islam | G Major | 3 | 9B | 96 BPM | ||
| Tumi Shundar Tai Cheye Thaki | Ramanuj Dasgupta | B♭ Major | 4 | 6B | 116 BPM | ||
| Shyama Mayer Charon | Ramkumar Chattopadhyay | G Major | 6 | 9B | 122 BPM | ||
| Ami Tai Abhiman Kori | Dhananjay Bhattacharya | G Major | 5 | 9B | 80 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Om Namo Bhagvate Vasudevay, Pt. 2 | Suresh Wadkar, Anup Jalota | B♭ Major | 6 | 6B | 106 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| De Maa Amay Tabildari | Ramkumar Chattopadhyay | D Major | 8 | 10B | 136 BPM |