On April 1, 1991, the song "Bizzarria" was released by Bernardo Pasquini, Rinaldo Alessandrini. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #25. Bizzarria is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Bizzarria by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 46 with a half-time of 23 BPM and a double-time of 92 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, L: Suite en sol: III. Courante, G. 85 | Louis Couperin, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Concerto grosso No. 5 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D Minor | 1 | 7A | 64 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Santa Agnese Oratorio, 1ère partie: "Dal tebro apprendo" (Agnese) | Bernardo Pasquini, Consortium Carissimi, Vittorio Zanon, Anna Simboli, Paolo Costa, Elena Bartolozzi, Marco Scavazza, Garrick Commeaux | D♭ Minor | 1 | 12A | 78 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Concerto grosso in G Minor, Op. 1 No. 12: II. Allemanda. Allegro | Pietro Locatelli, Elizabeth Wallfisch, Nicholas Kraemer, Raglan Baroque Players | A Major | 5 | 11B | 92 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia | Bernardo Pasquini, Les Paladins, Jérôme Corréas | A♭ Minor | 0 | 1A | 77 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Sonata quarta in B minor, Parte Prima: III. Adagio | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| La sete di Christo, Pt. 1: A quanti tormenti soggiace Gesu | Bernardo Pasquini, Francesca Aspromonte, Francisco Fernández-Rueda, Mauro Borgioni, Concerto Romano, Alessandro Quarta | E♭ Minor | 0 | 2A | 78 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: II. La Trompette | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 128 BPM | ||
| Caino e Abel: Pt. I: Non più l'alma e immortale (Adam) | Bernardo Pasquini, Gian Paolo Fagotto, Nadia Ragni, Claudio Cavina, Andreana Galante, Furio Zanasi, Teatro Armonico, Il, Alessandro De Marchi | G Minor | 1 | 6A | 61 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 113 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |