"Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia" by Bernardo Pasquini, Les Paladins, Jérôme Corréas had its release date on October 4, 2024. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Pasquini: Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia by Bernardo Pasquini, Les Paladins, Jérôme Corréas having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuckoo Toccata | Bernardo Pasquini, Igor Kipnis | A Major | 3 | 11B | 143 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Partite diversi di follia | Bernardo Pasquini, Silvia Rambaldi | D♭ Minor | 3 | 12A | 82 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM | ||
| Bergamasca | Bernardo Pasquini, Silvia Rambaldi | F♯ Major | 4 | 2B | 97 BPM | ||
| Ehi, ehi della torre (Live) | Bernardo Pasquini, Arianna Vendittelli, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Morgan Pearse, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Major | 2 | 1B | 120 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM | ||
| Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 113 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Passagagli per Petronilla (Arr. for Double Harp) | Bernardo Pasquini, Mara Galassi | D♭ Minor | 0 | 12A | 69 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM |