湯山昭, Haruko Ueda's 'プリン' had a release date set for August 12, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 湯山昭 3大ヒットピアノ曲集, so we believe that "プリン" is a single. In terms of popularity, プリン is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of プリン by 湯山昭, Haruko Ueda is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| フランス人形 | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 日曜日のソナチネ II. Scherzando (踊る時計) | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| Elgar: 愛の挨拶 作品12 | Edward Elgar, Tomoharu Ushida | E Major | 1 | 12B | 72 BPM | ||
| 5 Pieces, Op. 143 (Dedicated to Laura Reinila): I. Waltz | Tomasz Kamieniak, Valentin Silvestrov | E♭ Major | 0 | 5B | 68 BPM | ||
| ラフマニノフ:ヴォカリーズ | Sergei Rachmaninoff, Shinya Kiyozuka | A Major | 2 | 11B | 130 BPM | ||
| いいことがありそう! | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 3, La persuasion | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
| Quatre pièces fugitives, Op. 15: No. 3, Andante espressivo | Clara Schumann, Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | G Minor | 1 | 6A | 91 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major | Franz Schubert, Ammiel Bushakevitz | A Major | 0 | 11B | 178 BPM | ||
| Piano Sonatina in F Major, Op. 55, No. 4: II. Andantino con espressione | Friedrich Kuhlau, Jenő Jandó | B♭ Major | 0 | 6B | 81 BPM | ||
| 3:牧歌(ブルグミュラー:25の練習曲 作品100) | Friedrich Burgmüller, 伊奈和子 | G Major | 3 | 9B | 186 BPM | ||
| シューベルト: 4つの即興曲 作品90 I. アレグロ・モルト・モデラート | Franz Schubert, Kyohei Sorita | E Major | 0 | 12B | 64 BPM | ||
| 楽興の時 ヘ短調 D.780-3 | ペーター・レーゼル | F Minor | 1 | 4A | 99 BPM | ||
| 亡き王女のためのパヴァーヌ | Maurice Ravel, 辻本玲, Hiroko Suseki | A Minor | 1 | 8A | 170 BPM | ||
| 夢 | Claude Debussy, Mari Kumamoto | F Major | 0 | 7B | 57 BPM | ||
| Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
| マロン・グラッセ | 湯山昭, Haruko Ueda | A♭ Major | 1 | 4B | 109 BPM | ||
| 8つの演奏会用エチュード 作品40: 第6番: パストラール | Nikolai Kapustin, Nobuyuki Tsujii | E♭ Major | 3 | 5B | 105 BPM | ||
| 天の川のバラード | 湯山昭, 堀江真理子 | F Minor | 1 | 4A | 100 BPM | ||
| ワルツ 第3番 イ短調 Op.34-2 「華麗な円舞曲」 | Dina Yoffe | A Minor | 0 | 8A | 65 BPM | ||
| グノシエンヌ 第2番 | Erik Satie, Yuji Takahashi | F Major | 0 | 7B | 69 BPM | ||
| ソナチネ - (ラヴェル) 第3楽章 | Maurice Ravel, Nobuyuki Tsujii | A Major | 0 | 11B | 76 BPM | ||
| 幻想曲「さくらさくら」 | Kozaburo Hirai, 小原孝 | D Minor | 2 | 7A | 131 BPM | ||
| パガニーニの主題による狂詩曲 作品43: 第18変奏:Andante cantabile | Sergei Rachmaninoff, Tomoharu Ushida | E♭ Major | 1 | 5B | 179 BPM |