"Peter Quince at the Clavier: III. Allegro Moderato-Marchlike" by Gregg Smith, Eileen Clark, Thomas Schmidt had its release date on October 1, 2016. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Delicious Numbers by Gregg Smith, Eileen Clark. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Peter Quince at the Clavier: III. Allegro Moderato-Marchlike is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Quince at the Clavier: III. Allegro Moderato-Marchlike by Gregg Smith, Eileen Clark, Thomas Schmidt is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Songs from a Liberal Heart | Gregg Smith, Suzanne Ornstein, Denise Cridge, Matt Goeke, Susan Deaver, Madeline Sturm, Daniel Hane, Thomas Schmidt | C Major | 1 | 8B | 72 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Glory to Thee, Creator on high" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergej Larin, Marjana Lipovek, Wojtek Drabowicz, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Mikhail Krutikov, Tölz Boys' Choir | A♭ Major | 0 | 4B | 73 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM | ||
| In Praise of Singing | Gregg Smith Singers | F Minor | 1 | 4A | 96 BPM | ||
| 114 Songs, 31: 9a. Duty - 2024 Remastered Version | Charles Ives, Gregg Smith, Gregg Smith Singers, Raymond Beegle, Columbia Symphony Orchestra | C Major | 2 | 8B | 96 BPM | ||
| The Harmony of Morning | Elliott Carter, Rosalind Rees, Gregg Smith, Gregg Smith Chamber Orchestra | A Major | 1 | 11B | 98 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| GOOD NEWS SHOES | STEVE WORSHIP MOORE | F Major | 1 | 7B | 90 BPM | ||
| When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM | ||
| Cor Mundum Crea in Me Deus | Cincinnati Choral Society, Howard Helvey | B♭ Major | 2 | 6B | 69 BPM | ||
| We Sing to You | Laudate Mennonite Ensemble | E♭ Major | 1 | 5B | 71 BPM | ||
| To Music | Elliott Carter, Rosalind Rees, Gregg Smith | A Major | 1 | 11B | 98 BPM | ||
| Letters from Paris: No. 3, Summer | Ned Rorem, Gregg Smith Singers, Adirondack Chamber Orchestra, Gregg Smith | G Minor | 1 | 6A | 84 BPM | ||
| Jesus Christ is Risen Today | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Adoramus te, Christe | Giovanni Maria Nanino, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| Jove's Nectar: VII. Dirge With Bells | Edwin London, Gregg Smith Singers, Alyssa Reit, Sato Moughalian, Linda Kaplan, Edward Gilmore, Barry Centanni, Gregg Smith | G Minor | 1 | 6A | 78 BPM | ||
| I Never See the Red Rose | Solomon Pimsleur, Gregg Smith Singers, Gregg Smith | B Major | 1 | 1B | 78 BPM | ||
| Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 0 | 7B | 129 BPM | ||
| Three Rounds: Give the Poor Singer a Penny | Gregg Smith Singers | C Major | 4 | 8B | 172 BPM | ||
| Hear My Prayer | Christelijk koor Jigdaljahu | F Major | 1 | 7B | 90 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| If You've Only Got a Moustache | Stephen Foster, Gregg Smith Singers, Gregg Smith | C Major | 2 | 8B | 85 BPM | ||
| The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM |