"Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Glory to Thee, Creator on high"" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergej Larin, Marjana Lipovek, Wojtek Drabowicz, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Mikhail Krutikov, Tölz Boys' Choir had its release date on 1994. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Modest Mussorgsky, Claudio Abbado's "Mussorgsky: Boris Godunov - The Sony Opera House" album is number 6 out of 78. On top of that, United States appears to be the country where this track was created. Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Glory to Thee, Creator on high" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Glory to Thee, Creator on high" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergej Larin, Marjana Lipovek, Wojtek Drabowicz, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Mikhail Krutikov, Tölz Boys' Choir to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| The Firebird, K10, 1919 Suite: I. Introduction | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
| Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, New York Philharmonic, Alan Gilbert | D♭ Major | 0 | 3B | 87 BPM | ||
| Also sprach Zarathustra, Op. 30: V. Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 82 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok | C Major | 2 | 8B | 80 BPM | ||
| Simple Symphony, Op. 4: Frolicsome Finale | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Major | 2 | 9B | 155 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
| Symphony No. 2 in D Major, Op. 36: IV. Allegro molto | Ludwig van Beethoven, Douglas Bostock, Argovia Philharmonic | D Major | 2 | 10B | 138 BPM | ||
| Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
| Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 68 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Major | 4 | 6B | 136 BPM | ||
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | E♭ Minor | 2 | 2A | 81 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
| Also sprach Zarathustra, Op. 30: IV. Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 82 BPM | ||
| L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM |