On May 31, 2005, the song "You'd Better Come Home" was released by Tony Hatch. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. You'd Better Come Home's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tony Hatch's "Hatchbox: The Original Album Collection" album is number 5 out of 76. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, You'd Better Come Home is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of You'd Better Come Home by Tony Hatch to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everybody's Talkin' | Fred Neil, Hugo Winterhalter | G Major | 3 | 9B | 112 BPM | ||
| Tara's Theme | The Brass Ring | G Minor | 5 | 6A | 117 BPM | ||
| Billy Jack's Theme | The Sidewalk Sounds | E♭ Major | 8 | 5B | 129 BPM | ||
| Cheerful Little Earful - Instrumental | Hugo Winterhalter And His Orchestra | A♭ Major | 4 | 4B | 138 BPM | ||
| Once Upon a Time | Tony Hatch | B Minor | 7 | 10A | 99 BPM | ||
| No More Lonely Nights | The Fantasy Strings | F Major | 6 | 7B | 80 BPM | ||
| Girl Talk - Remastered | Billy May, Time-Life Orchestra | F Minor | 3 | 4A | 216 BPM | ||
| Hello Dolly - Viva Maria | Orquesta Casino De La Habana | G Minor | 3 | 6A | 115 BPM | ||
| Et Maintenant | Pop Strings Orchestra | F Minor | 5 | 4A | 110 BPM | ||
| All Those Years Ago | Ronnie Aldrich | D Major | 4 | 10B | 125 BPM | ||
| Spanish Eyes | Al Hirt | B♭ Major | 3 | 6B | 114 BPM | ||
| Michelle | 50 Guitars of Tommy Garrett | D Minor | 2 | 7A | 109 BPM | ||
| Call Me | Walter Wanderley | F Major | 7 | 7B | 84 BPM | ||
| Yesterday When I Was Young | The Gino Marinello Orchestra | A Minor | 3 | 8A | 84 BPM | ||
| Last Summer | Tony Hatch | G Minor | 4 | 6A | 87 BPM | ||
| Laura | The Percy Faith Strings | A♭ Major | 2 | 4B | 177 BPM | ||
| Delicado | Edmundo Ros & His Orchestra | G Major | 6 | 9B | 99 BPM | ||
| Love Is Blue | Charles, Cour, Lemaire, Popp, Hugo Winterhalter | G Major | 3 | 9B | 112 BPM | ||
| Memories of Those Easy Days | Nuvoluxe | A Major | 2 | 11B | 108 BPM | ||
| A Man And A Woman - Remastered | Sir Julian Gould | A Major | 4 | 11B | 88 BPM | ||
| Meditation | Les & Larry Elgart | C Minor | 3 | 5A | 133 BPM | ||
| Pepe | Russ Conway | C Major | 6 | 8B | 131 BPM | ||
| Moonshadow | Lex DeAzevedo | E♭ Major | 3 | 5B | 132 BPM | ||
| Summer of '42 | Johnny Pearson and His Orchestra | D Minor | 1 | 7A | 151 BPM | ||
| Today | Lex DeAzevedo | G Minor | 4 | 6A | 97 BPM |