Ruthie Henshall's ' "All That Jazz" was released on its scheduled release date, 2006. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. All That Jazz's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in All That Jazz and no other songs are present in the album, we classify this track as a single. In terms of popularity, All That Jazz is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of All That Jazz by Ruthie Henshall is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stars | Philip Quast, Ross McCall | D Major | 2 | 10B | 182 BPM | ||
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
| Send in the Clowns | Ruthie Henshall | D♭ Major | 1 | 3B | 149 BPM | ||
| A Step Too Far | Adam Pascal | F Minor | 4 | 4A | 121 BPM | ||
| Days of Plenty | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A♭ Major | 3 | 4B | 95 BPM | ||
| Maybe This Time (Jared with a J Radio Mix) | Joel Dickinson, Ruthie Henshall, Jared Jones | B Minor | 8 | 10A | 128 BPM | ||
| No One Else | Denée Benton | F Major | 3 | 7B | 178 BPM | ||
| Loose Ends | Maria Friedman | A♭ Major | 1 | 4B | 83 BPM | ||
| I Got Rhythm | Ruthie Henshall | F Major | 5 | 7B | 114 BPM | ||
| With One Look - "Sunset Boulevard" Original Broadway Cast 1994 Recording | Andrew Lloyd Webber, Original Broadway Cast Of Sunset Boulevard, Glenn Close | G Major | 4 | 9B | 107 BPM | ||
| Playing Nancy | Rebecca Faulkenberry, Tim Minchin | D Major | 3 | 10B | 71 BPM | ||
| How 'Bout a Dance? | Laura Osnes | D♭ Major | 3 | 3B | 95 BPM | ||
| Every Story Is A Love Story | Sherie Rene Scott | A♭ Major | 1 | 4B | 84 BPM | ||
| Empty Chairs At Empty Tables - Live | Michael Ball | D Minor | 2 | 7A | 87 BPM | ||
| Bring Him Home - Live | Colm Wilkinson | A Major | 1 | 11B | 79 BPM | ||
| All I Ask of You | Phantom Of The Opera Original London Cast, Steve Barton, Sarah Brightman, Andrew Lloyd Webber | D♭ Major | 2 | 3B | 93 BPM | ||
| Who Am I? / The Trial | Gary Morris | B Major | 1 | 1B | 148 BPM | ||
| Roxie - Part II | Ruthie Henshall, Chicago Ensemble (London (1997)) | D♭ Major | 1 | 3B | 137 BPM | ||
| Someday | Ciara Renée, Andrew Samonsky | A♭ Major | 2 | 4B | 88 BPM | ||
| There's a Fine, Fine Line | Stephanie D'Abruzzo | G Major | 1 | 9B | 129 BPM | ||
| Empty Chairs At Empty Tables | Ramin Karimloo | B♭ Major | 3 | 6B | 73 BPM | ||
| All That Jazz | Chicago Ensemble (1997) | E Major | 3 | 12B | 134 BPM | ||
| Prologue: Ragtime | Ragtime Ensemble | F Major | 5 | 7B | 121 BPM | ||
| That Moment Of Moments - Original Cast Recording | Ira Gershwin, Vernon Duke, Ruthie Henshall, Howard McGillin, Rob Fisher | G Major | 4 | 9B | 130 BPM | ||
| Easy As Life | Heather Headley | A♭ Major | 4 | 4B | 73 BPM |