"Don't Look Back In Anger" by Royal Liverpool Philharmonic Orchestra had its release date on June 2, 2017. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Pop Goes Classical". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Don't Look Back In Anger is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don't Look Back In Anger by Royal Liverpool Philharmonic Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Olympic Fanfare | Champions United | C Major | 3 | 8B | 86 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Shape of My Heart | Michael Logozar | F♯ Minor | 1 | 11A | 128 BPM | ||
| Les Filles de Cadix | Léo Delibes, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 138 BPM | ||
| A Sea Symphony [No. 1]: II. On the Beach at Night, Alone (Largo sostenuto) | Ralph Vaughan Williams, Walt Whitman, Joan Rodgers/William Shimell/Royal Liverpool Philharmonic Orchestra/Ian Tracey/Royal Liverpool Philharmonic Choir/Vernon Handley, Vernon Handley, Royal Liverpool Philharmonic Orchestra | G Minor | 0 | 6A | 84 BPM | ||
| Violin Concerto in G Major, Op. 8, No. 2: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Randall Goosby, Kris Bowers, London Contemporary Orchestra | G Major | 1 | 9B | 78 BPM | ||
| If I Ain't Got You (Arr. For cello & piano by Wolf Kerschek) | Alicia Keys, Anouchka Hack, Katharina Hack | G Major | 1 | 9B | 110 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Billie Jean (Arr. G. Anderson and e. J. Roe) | Anderson & Roe | F Minor | 2 | 4A | 127 BPM | ||
| West Side Story: One Hand, One Heart | Leonard Bernstein, Lumiere String Quartet | F Major | 2 | 7B | 84 BPM | ||
| Nocturne / Bohemian Rhapsody - Bonus Track | Lucia Micarelli | A Major | 3 | 11B | 144 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Unchained Melody | Royal Liverpool Philharmonic Orchestra, James Morgan | C Major | 1 | 8B | 81 BPM | ||
| Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
| Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | ||
| J.S. Bach: Toccata And Fugue In D Minor, BWV 565 | Myleene Klass | D Major | 6 | 10B | 116 BPM | ||
| Space Oddity | Rick Wakeman | C Major | 2 | 8B | 144 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | A♭ Major | 2 | 4B | 78 BPM | ||
| Sun & Moon / Why God Why | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 70 BPM | ||
| Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM | ||
| Sweet Child of Mine - Piano | Vanessa Stansfield | F♯ Major | 1 | 2B | 210 BPM | ||
| The 4th Sunrise of Spring | Yoyo | G Major | 1 | 9B | 141 BPM | ||
| Chasing Cars - Piano | Evan Camrud | A Major | 3 | 11B | 104 BPM | ||
| We Don't Talk Anymore | Walk off the Earth | C Major | 4 | 8B | 81 BPM |