Craig Armstrong's ' "To Be Immortal" was released on its scheduled release date, October 24, 2011. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craig Armstrong's "In Time (Original Motion Picture Score)" album is number 21 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, To Be Immortal is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of To Be Immortal by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Ramparts | Craig Armstrong | C Major | 0 | 8B | 112 BPM | ||
| Dressing Down | Rupert Gregson-Williams | A Minor | 2 | 8A | 116 BPM | ||
| Devonshire - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 174 BPM | ||
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil | A Minor | 0 | 8A | 55 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| The End - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | A♭ Minor | 1 | 1A | 109 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| There She Is | Kevin Smuts | G Major | 0 | 9B | 107 BPM | ||
| The Adventure of Life | Maurizio Malagnini, Peter Salem | G Major | 3 | 9B | 83 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| The Promise | Michael Nyman | A Minor | 2 | 8A | 80 BPM | ||
| Road To Perdition | Thomas Newman | A Major | 1 | 11B | 98 BPM | ||
| Future King | Rupert Gregson-Williams, Lorne Balfe | B♭ Minor | 2 | 3A | 120 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Dumbledore's Farewell | Nicholas Hooper | A Minor | 1 | 8A | 115 BPM | ||
| As If She Was Still Here | Anne Nikitin, Jessica Jones, Tim Morrish | E♭ Major | 2 | 5B | 165 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| Doe Eyes - Love Theme from the Bridges of Madison County | Lennie Niehaus, Clint Eastwood | C Major | 0 | 8B | 84 BPM |