"In Memoriam Sir Vincent Scott, Op. 9: II. Ballade" by Helmut Rogl, Martin Rummel, Florian Feilmair had its release date on April 1, 2010. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Helmut Rogl, Martin Rummel's "Helmut Rogl: Complete Cello Works so Far" album is number 6 out of 12. On top of that, Austria appears to be the country where this track was created. Based on our statistics, In Memoriam Sir Vincent Scott, Op. 9: II. Ballade's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In Memoriam Sir Vincent Scott, Op. 9: II. Ballade by Helmut Rogl, Martin Rummel, Florian Feilmair to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quintet in A Minor, Op. 1, B. 7: II. Lento | Antonín Dvořák, Ladislav Kyselák, Vlach Quartet Prague | A Minor | 1 | 8A | 82 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
| Saxophone Solos from "Sonnenspuren" (Film Music) Op. 34: III. | Helmut Rogl, 4saxess, Peter Rohrsdorfer | D Major | 1 | 10B | 134 BPM | ||
| Symphony I, Op. 66: Allegro Con Brio | Helmut Rogl, Orchester der Anton Bruckner Privatuniversität, Manfred Mayrhofer | G Major | 1 | 9B | 139 BPM | ||
| Les Pêcheurs de perles, GB. 4, WD. 13: Je crois entendre encore (Arr. for Cello Octet by Roland Pidoux) | Georges Bizet, Cello8, Raphael Pidoux | A Minor | 1 | 8A | 84 BPM | ||
| Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Major | 0 | 9B | 168 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 48 BPM | ||
| Stav Ya Pitu (Arr. for String Quartet) | Israel Edelson | A Minor | 1 | 8A | 100 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
| Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Trio di Parma | A Minor | 0 | 8A | 146 BPM | ||
| Les aventures de Rabbi Jacob | Vladimir Cosma, Renaud Capuçon, Les Siècles, Duncan Ward | G Minor | 6 | 6A | 92 BPM | ||
| Cello Concerto, Op. 24, "Violonchallenges": III. Vivace | Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler | A Major | 2 | 11B | 140 BPM | ||
| Nocturne | Anatoli Brandukov, Jens Peter Maintz, Lithuanian Chamber Orchestra Vilnius, David Geringas | A Major | 0 | 11B | 93 BPM | ||
| Symphony I, Op. 66: Andantino Con Anima | Helmut Rogl, Orchester der Anton Bruckner Privatuniversität, Manfred Mayrhofer | G Major | 1 | 9B | 139 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Notturno for Violin and Orchestra, Op. 12 | Joseph Joachim, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Sakari Oramo | F♯ Major | 1 | 2B | 93 BPM | ||
| Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | ||
| Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
| Feather Fletching | Joe Hisaishi | B Minor | 1 | 10A | 172 BPM | ||
| Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
| Wintermezzo | Chilly Gonzales, Daniel Hope | F Minor | 1 | 4A | 90 BPM | ||
| Witch of Endor - Instrumental | Moondog | C Major | 4 | 8B | 104 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Introduction and Allegro for Harp, Flute, Clarinet and String Quartet | Maurice Ravel, Zoltán Gyöngyössy, Béla Kovács, Eva Maros, Kodály Quartet | E♭ Minor | 1 | 2A | 85 BPM |