"Cello Concerto, Op. 24, "Violonchallenges": III. Vivace" by Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler had its release date on April 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Helmut Rogl, Martin Rummel's "Helmut Rogl: Complete Cello Works so Far" album is number 12 out of 12. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Cello Concerto, Op. 24, "Violonchallenges": III. Vivace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto, Op. 24, "Violonchallenges": III. Vivace by Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beethoven: Notturno in D Major, Op. 42: IV. Adagio | Ludwig van Beethoven, Gérard Caussé, François-René Duchâble | E Major | 0 | 12B | 91 BPM | ||
| String Quartet No. 4, "Buczak": II. — | Philip Glass, Carducci String Quartet | G Minor | 0 | 6A | 73 BPM | ||
| Piano Trio No. 5 in D Major, Op. 70, No. 1, "Ghost": II. Largo assai ed espressivo | Ludwig van Beethoven, Xyrion Trio | D Minor | 0 | 7A | 84 BPM | ||
| Metamorphosis | Eunike Tanzil, Sophie Kauer, Deutsches Symphonie-Orchester Berlin, Anna Handler | B Minor | 2 | 10A | 85 BPM | ||
| Chiquilin de Bachin (The Little Beggar Boy) [arr. J. Lenehan for 2 cellos and piano] | Astor Piazzolla, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | E♭ Major | 1 | 5B | 68 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | G Major | 1 | 9B | 66 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | ||
| 3 Miniatures, Op. 5: No. 1. Energisch, Nicht Zu Schnell | Helmut Rogl, Martin Rummel | A Minor | 0 | 8A | 83 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Bachianas Brasileiras No. 5 | Heitor Villa-Lobos, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 1 | 7A | 64 BPM | ||
| Warrior Rondo | Chamber Chu | B Minor | 5 | 10A | 136 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| String Quartet in F Major, M. 35: II. Assez vif - très rythmé | Maurice Ravel, Quatuor Debussy | D♭ Major | 0 | 3B | 77 BPM | ||
| Music for String Orchestra, Op. 39: Ausklang - Live | Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko | C Major | 1 | 8B | 102 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| The Moulin Rouge | Peter Breiner, Don Gillis | G Minor | 0 | 6A | 89 BPM | ||
| String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
| Primavera portena | Astor Piazzolla, Gidon Kremer, Kremerata Baltica | G Minor | 2 | 6A | 147 BPM | ||
| Melandru's Calm | Jeremy Soule | G Major | 1 | 9B | 66 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | ||
| Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM |