- BPM
- 101
- Key
- G Major
- Camelot
- 9B
Medea by Cheryl Frances-Hoad, Sara Minelli Song Details
"Medea" by Cheryl Frances-Hoad, Sara Minelli had its release date on November 12, 2020. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. In terms of popularity, Medea is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Medea by Cheryl Frances-Hoad, Sara Minelli is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -31.057 dB
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 1%
- Instrumentalness
- 24%
- Liveness
- 14%
- Loudness
- 48%
- Speechiness
- 5%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | |
 | O Come, Let Us Sing Unto the Lord | Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams | B♭ Major | 1 | 6B | 107 BPM | |
 | One Life Stand: VI. Rubbish at Adultery | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | |
 | Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | |
 | Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | |
 | Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | |
 | Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | |
| You Promised Me Eveything | Cheryl Frances-Hoad, Natalie Raybould, James Young, Joseph Middleton, Rebecca Knight | D Major | 0 | 10B | 78 BPM | |
 | 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM | |
 | 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | |
 | La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | |
 | Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | |
 | To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | |
 | Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | |
 | Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | |
 | Maidan 2014, Cycle I: III. Give Rest, O Christ, to Thy Servant | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | |
 | 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | |
 | Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | |
 | Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | |
 | Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | |
 | Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | |
 | Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records