O Come, Let Us Sing Unto the Lord by Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams Song Details

"O Come, Let Us Sing Unto the Lord" by Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams had its release date on January 9, 2026. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. O Come, Let Us Sing Unto the Lord's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 17 in Arise My Love - Music for the Break of Day by The Choir of Magdalen College, Oxford. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, O Come, Let Us Sing Unto the Lord's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of O Come, Let Us Sing Unto the Lord by Cheryl Frances-Hoad, The Choir of Magdalen College, Oxford, Mark Williams is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.

Music Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -19.873 dB
Acousticness: 100%
Danceability: 21%
Energy: 19%
Instrumentalness: 55%
Liveness: 10%
Loudness: 67%
Speechiness: 4%
Valence: 4%

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