"Quark Dances: I. Allegretto" by Cheryl Frances-Hoad, Rambert Orchestra, Paul Hoskins had its release date on June 30, 2017. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Quark Dances: I. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Quark Dances: I. Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quark Dances: I. Allegretto by Cheryl Frances-Hoad, Rambert Orchestra, Paul Hoskins having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | B♭ Major | 0 | 6B | 136 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
| Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
| Ave, dulcissima Maria | Carlo Gesualdo, The Monteverdi Choir, Jonathan Sells | D Minor | 2 | 7A | 74 BPM | ||
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | ||
| Homages: II. In the Dew | Cheryl Frances-Hoad, Ivana Gavrić | A Minor | 0 | 8A | 92 BPM | ||
| Seek Him That Maketh The Seven Stars | Jonathan Dove, The Choir of Magdalen College, Oxford, Edward Byrne, Mark Williams | C Major | 2 | 8B | 128 BPM | ||
| Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
| 2020 | Oscap | E♭ Minor | 0 | 2A | 61 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Yhden asian kerrallaan | Aki Yli-Salomäki, Somnium Ensemble, Elisa Huovinen | A♭ Minor | 0 | 1A | 62 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1, Hymn to the Dawn | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | G Major | 0 | 9B | 79 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Ochre: VII. Geothite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| Into the Light: No. 4, Flower into Kindness | Jake Runestad, Conspirare, Kathlene Ritch, Craig Hella Johnson | D Major | 1 | 10B | 83 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM |