"Quartet for Diverse Flutes: III. Cadenza" by Peter Bacchus, Rie Schmidt, Wendy Stern, Gretchen Pusch had its release date on January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in Flute Force by Wendy Stern, Rie Schmidt, Gretchen Pusch, Peter Bacchus. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Quartet for Diverse Flutes: III. Cadenza is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Quartet for Diverse Flutes: III. Cadenza by Peter Bacchus, Rie Schmidt, Wendy Stern, Gretchen Pusch is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Symphony No. 3: I. Introduzione (Andante con moto) — Allegro con moto | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | C Major | 1 | 8B | 136 BPM | ||
| Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | C Major | 1 | 8B | 136 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 1 | 8B | 136 BPM | ||
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| El dolor imaginado | Juan Pablo Fernández Ramos | C Major | 1 | 8B | 136 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | C Major | 1 | 8B | 136 BPM | ||
| Four Etudes: IV. Presto | Roger Reynolds, Wendy Stern, Rie Schmidt, Peter Bacchus, Gretchen Pusch | E Minor | 1 | 9A | 89 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Roumanian Folk Dances (Román Népi Táncok): III: On the Spot (Pe Loc) | The Royal Wind Music | C Minor | 0 | 5A | 77 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | C Major | 1 | 8B | 136 BPM | ||
| Waldszenen: 9. Abschied | Calefax Reed Quintet | B♭ Major | 0 | 6B | 134 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Cello Suite No. 2 in D Minor, BWV 1008 (Arr. J. Ranz for Bass Clarinet): I. Prelude | Johann Sebastian Bach, Joshua Ranz | E Minor | 0 | 9A | 86 BPM | ||
| Lyric Movement, H. 191 | Gustav Holst, Andriy Viytovych, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 136 BPM | ||
| El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
| Adagio Romántico (Una Melodía Sin Eco) | Israel Arciniega | B♭ Major | 1 | 6B | 73 BPM |