"String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone" by Karol Szymanowski, Belcea Quartet had its release date on October 10, 2025. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 6 out of 10 in Debussy & Szymanowski: Quartets by Belcea Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone by Karol Szymanowski, Belcea Quartet is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatine, M. 40: III. Animé | Maurice Ravel, Julien Libeer | E Minor | 2 | 9A | 137 BPM | ||
| 3 Romances, Op. 11: No. 3, Moderato | Clara Schumann, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 73 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 1, Stick Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Diane Overture, CD 20 | Claude Debussy, Genova and Dimitrov Piano Duo | E♭ Major | 1 | 5B | 74 BPM | ||
| Brahms - Op.116 No.1 Capriccio D minor | Elena Kuschnerova | F Major | 2 | 7B | 73 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | E♭ Major | 1 | 5B | 74 BPM | ||
| Mussorgsky: Pictures at an Exhibition: V. Ballet of Unhatched Chicks. Scherzino | Modest Mussorgsky, Aldo Ciccolini | A Minor | 1 | 8A | 153 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino | Karol Szymanowski, Krystian Zimerman | F Major | 2 | 7B | 80 BPM | ||
| Król Roger (King Roger), Op. 46, Act I: W jego usmiechu! [His Smiling Face!] [Roxana, Roger, Shepherd, Chorus, Deaconess, Archbishop, Edirisi] | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | F Major | 5 | 7B | 89 BPM | ||
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Symphony No. 3, Op. 27, "Piesn o nocy" (the Song of the Night): III. Largo | Karol Szymanowski, Ryszard Minkiewicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | B♭ Minor | 1 | 3A | 75 BPM | ||
| Harnasie, Op. 55: Tableau 1: Redyk (Driving the sheep) | Karol Szymanowski, Wiesław Ochman, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 1 | 9B | 75 BPM | ||
| Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 108 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | E♭ Major | 1 | 5B | 74 BPM | ||
| Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Mao Fujita | B♭ Major | 0 | 6B | 70 BPM | ||
| 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | B Major | 0 | 1B | 71 BPM | ||
| No. 2, Choral. Poco più lento | César Franck, Jean-Pierre Armengaud | D♭ Minor | 0 | 12A | 126 BPM | ||
| Suite bergamasque, L. 75: I. Prelude | Claude Debussy, Elliot Wuu | C Major | 5 | 8B | 154 BPM | ||
| Nocturne No. 13 in B Minor, Op. 119 | Gabriel Fauré, Kun-Woo Paik | E Minor | 1 | 9A | 68 BPM | ||
| Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM |