On September 24, 2000, the song "Bajrangbaan" was released by Rakesh Kala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Shri Hanuman Chalisa". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Bajrangbaan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bajrangbaan by Rakesh Kala having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tum Hi Mere Devta Ho | Morari Bapu | B♭ Major | 7 | 6B | 108 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Choti Choti Gayia Chote Chote Gwal | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 7 | 3B | 112 BPM | ||
| Jata Na Koi Khali Maa Tere Dwar Aake | Kumar Ashu, Rakesh Kala | B Major | 9 | 1B | 139 BPM | ||
| Rudrashtakam (Shiva Chanting) | Priyankaa Bhattacharya | B Minor | 7 | 10A | 110 BPM | ||
| Choti si Kishori | Harinaam Das | B♭ Major | 6 | 6B | 77 BPM | ||
| Chalo Nand Yashoda Ke Dwar(Janmashtami Special) | Dhruv Sharma, Swarna Shri | F Minor | 7 | 4A | 88 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM | ||
| Ram Bhi Milenge Tujhe Shyam Bhi Milenge | Lakhbir Singh Lakkha | A♭ Minor | 6 | 1A | 122 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| Veer Hanumana Ati Balwana | Rakesh Kala | A♭ Major | 8 | 4B | 118 BPM | ||
| Ek Baar Toh Radha Bankar Dekho | Navin Tripathi, Kavita Raam | F♯ Major | 5 | 2B | 140 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Radhika Gori Se Maiya Kara De Byah | Shalendra Jain | F♯ Major | 4 | 2B | 78 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Hey Gurudev Pranam Aapke Charno Mein | Isha Sharma | D♭ Major | 4 | 3B | 81 BPM | ||
| Mere Sir Per Rakh Do Baba | Rakesh Kala | A♭ Major | 8 | 4B | 140 BPM | ||
| Maha Laxmi Mantra | Shalini Sharma | F♯ Minor | 7 | 11A | 136 BPM | ||
| Sakhi Ri Mero Radha Raman | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 4 | 6B | 172 BPM | ||
| Khilona Maati Ka | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | D♭ Major | 7 | 3B | 105 BPM | ||
| Sankat Mochan Hanuman Ashtakam(Sankatmochan Naam Tiharo) | Diepak Ramjiawan | D Major | 3 | 10B | 156 BPM | ||
| Bolo Radhe Radhe | Rajendra Vyas | F Major | 10 | 7B | 130 BPM | ||
| Shree Ramchandra Kripalu Bhajman By Prem Prakash Dubey | Prem Prakash Dubey | E Major | 5 | 12B | 200 BPM | ||
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM |