On March 25, 2017, the song "Bolo Radhe Radhe" was released by Rajendra Vyas. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Radha Krishna Bhajan". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Bolo Radhe Radhe's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bolo Radhe Radhe by Rajendra Vyas having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aadi Avinashi | AKG, Sachin Bibiyan, Shiva Dagar | D♭ Major | 3 | 3B | 100 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Shyam Teri Bansari Bajne Lagee | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 155 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Zari Ki Pagari Bandhey Sunder Aankhon Wala | Mridul Krishan Shastri | F♯ Major | 8 | 2B | 142 BPM | ||
| Hori Khele To Aaiyo Mere Gaau | Sadhvi Purnima Ji | E Minor | 8 | 9A | 100 BPM | ||
| Jogan Bhes Banaya | Gaurav Krishna Goswami | F♯ Minor | 9 | 11A | 130 BPM | ||
| Sach Bata De Bihari Se Pyar Kitna | Prem Bhushan Maharaj | D Major | 5 | 10B | 139 BPM | ||
| Jay Sambhu Digambar - Bhojpuri Song | Abhisekh Pathak | C Major | 4 | 8B | 138 BPM | ||
| Ujjain Ke Raja He Mahakal Song | Kishan Bhagat | F Major | 6 | 7B | 138 BPM | ||
| Aarti Shri Radha Ji Ki | Tara Devi | G Major | 9 | 9B | 130 BPM | ||
| Kaam Hoga Wahi Jise | Lakhbir Singh Lakkha | D♭ Major | 6 | 3B | 162 BPM | ||
| Mati Ke Durga | Dukalu Yadav | B♭ Major | 9 | 6B | 120 BPM | ||
| Naseebo Se Zyaada | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Mujhe Tumne Malik Bahut De Diya Hai Tera Sukriya Hai | Pujya Rajan Ji Official | B♭ Minor | 5 | 3A | 129 BPM | ||
| Nandbhawan | Madhavas | B Minor | 7 | 10A | 110 BPM | ||
| Tum Ram Roop Mein Aana - Hindi | Mausmi Datt | E Major | 9 | 12B | 97 BPM | ||
| Bholenath Se Nirala | Rajendra Vyas | C Major | 5 | 8B | 78 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Haare Ka Sahara | Raj Pareek | B♭ Major | 5 | 6B | 80 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| GO KI SEVA SE TIR JAYEGA | Rajendra Vyas | F♯ Major | 9 | 2B | 159 BPM | ||
| Jai Ganesh Jai Mahaadeva | Humsar Hayaat Nizami | F♯ Minor | 8 | 11A | 130 BPM | ||
| Yadi Tu Banitu Mai Hamke Pujariya | Rajendra Vyas | D♭ Major | 7 | 3B | 115 BPM |