"Lichtenberg" by Gerard F Cobb, Rudyard Kipling, Michael Halliwell, David Miller had its release date on August 7, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of When the Empire Calls by David Miller, Michael Halliwell. The song's track number on the album is #11 out of 47 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, Lichtenberg's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lichtenberg by Gerard F Cobb, Rudyard Kipling, Michael Halliwell, David Miller has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lichtenberg being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donizetti: Il fiore “Qui dove mercè negasti all’amor” | Gaetano Donizetti, Sarah Dufresne, Carlo Rizzi | F Major | 1 | 7B | 179 BPM | ||
| Morgiane, ou, Le sultan d'Ispahan, Act II: Introduction - Ouvrons le marché - Live | Edmond Dede, Taylor White, OperaCréole Ensemble, Opera Lafayette Orchestra, Patrick Dupre Quigley, Givonna Joseph | G Major | 2 | 9B | 74 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | G Major | 2 | 9B | 74 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | ||
| Beethoven: 25 Scottish Songs, Op. 108: No. 1, Music, Love and Wine | Ludwig van Beethoven, Jean-Pierre Armengaud, Juliette Allen, John Bernard, Jean-François Rouchon, Alessandro Fagiuoli, Andrea Musto | D Major | 1 | 10B | 84 BPM | ||
| Christus: IV. "Und der ganze Haufe stand auf" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D♭ Major | 0 | 3B | 61 BPM | ||
| Belts, Op. 29, No. 1 | Gerard F Cobb, Rudyard Kipling, Michael Halliwell, David Miller | A♭ Major | 1 | 4B | 121 BPM | ||
| Se lontan ben mio, K. 438 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Berlin Philharmonic Wind Ensemble | E♭ Major | 1 | 5B | 76 BPM | ||
| Dein ist mein Herz | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | D♭ Minor | 1 | 12A | 82 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Seven Poems by James Joyce, R. 51: VII. Now, O now, in this brown land | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
| Gilgamesh, Tablet 5: Blood | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious | Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | G Major | 2 | 9B | 74 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | G Major | 2 | 9B | 74 BPM | ||
| Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 5, Be merciful, be gracious' spare him, Lord (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Herbert von Karajan, Anna Tomowa-Sintow, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 86 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Sechs Lieder, Op. 48: Ein Traum, Op. 48/6 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 2 | 5B | 83 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM |