On December 22, 2007, the song "MERO TO ADHAR" was released by NIDHI DHOLKIYA-NITIN DEVKA. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of VALLBH SEVA by NIDHI DHOLKIYA-NITIN DEVKA, Nidhi Dholkiya, Bhaskar Sukal. The song's track number on the album is #1 out of 7 tracks. Based on our data, India was the country where this track was produced or recorded. MERO TO ADHAR is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since MERO TO ADHAR by NIDHI DHOLKIYA-NITIN DEVKA has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With MERO TO ADHAR being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kahe Chhe Bhakto Amar Chhe | Ishvardan Gadhavi, Gagan Jethva, Suresh Rawal, Nitin Devka, Bhadrayu Dholkiya, Farida Mir, Nidhi Dholkiya, Jayshree Das | D♭ Major | 6 | 3B | 80 BPM | ||
| Aavi Chhe Nortani Raat | Atul Purohit, Himali, Smita Shah | E♭ Major | 4 | 5B | 72 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| JAI RADHA MADHV | Nitin Devka | E♭ Minor | 4 | 2A | 152 BPM | ||
| Vhala Ne Makhan Bhave Re | Utpal Jivrajani, Nidhi Dholakia | C Minor | 5 | 5A | 132 BPM | ||
| Chalo Ne Jay Satsang Ma | Nidhi Dholakia | E♭ Minor | 4 | 2A | 132 BPM | ||
| Mangal Divo | Shailendra Bharti, Nisha Upadhyay, Soli Kapadiya | D♭ Major | 3 | 3B | 99 BPM | ||
| Shri Krishna Saranam Mam | Ashit Desai, Hema Desai | B Minor | 6 | 10A | 73 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM | ||
| Meru To Dage Pan Jena | Hari Bharwad | D Major | 8 | 10B | 127 BPM | ||
| Dil Bhi Teri Yaad Me | Poonam Gondaliya | F♯ Major | 7 | 2B | 138 BPM | ||
| MANE GAME RE SHRINATHJI | Nidhi Dholkiya | F Major | 6 | 7B | 111 BPM | ||
| Aa Deh Karyo Kurban | Baps Swaminarayan Sanstha | F Major | 3 | 7B | 118 BPM | ||
| Aaj Biraj Mein Hori | Nitin Devka, Urvashi Pandya | A♭ Major | 8 | 4B | 140 BPM | ||
| Maro Char Paida No Rath | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Aaje Sahune Jay Shree Krishna-Dhoon | Nidhi Dholakia, Nitin Devka | D♭ Major | 6 | 3B | 77 BPM | ||
| Dari Mohani | Rajkot Gurukul | D♭ Major | 8 | 3B | 77 BPM | ||
| YAMUNA JAL MA KESHAR | Nidhi Dholkiya | A Major | 9 | 11B | 83 BPM | ||
| Pyalo Me Pidho Che | Suresh Raval | B♭ Minor | 9 | 3A | 142 BPM | ||
| Asmani Rangni Chundadi Re | Appu, Suchita Vaz, Nila | F Minor | 9 | 4A | 144 BPM | ||
| Pap Taru Parkash Jadeja | Hari Bharwad | F♯ Major | 7 | 2B | 117 BPM | ||
| Gopi Nath Avo Ne Mare Orade | Swami Shree Chhapaiyaprakashdasji | B♭ Minor | 6 | 3A | 108 BPM | ||
| Chhoti Chhoti Gaiya | Hemant Chauhan | E♭ Minor | 5 | 2A | 97 BPM | ||
| Rig Big Jyoti | Dukalu Yadav | G Major | 9 | 9B | 95 BPM | ||
| Andhari Raat | Atul Purohit, Himali, Smita Shah | A♭ Minor | 5 | 1A | 133 BPM |