"Deconstruction" by Daniel Lanois, Rocco DeLuca had its release date on 2016. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Daniel Lanois, Rocco DeLuca's "Goodbye To Language" album is number 4 out of 12. On top of that, United States appears to be the country where this track was created. Deconstruction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deconstruction by Daniel Lanois, Rocco DeLuca to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fanes D'Automne | Marsen Jules | C Major | 2 | 8B | 74 BPM | ||
| Frozen | Daniel Lanois | F Minor | 6 | 4A | 78 BPM | ||
| Melancholia VI | William Basinski | A Minor | 0 | 8A | 71 BPM | ||
| Simulacra I | Ben Frost, Daníel Bjarnason | C Major | 2 | 8B | 120 BPM | ||
| As Much as Possible | Bing & Ruth | D♭ Major | 0 | 3B | 72 BPM | ||
| Castrati Stack | Tim Hecker | A Minor | 1 | 8A | 77 BPM | ||
| Heavy Sun | Daniel Lanois, Rocco DeLuca | C Major | 0 | 8B | 82 BPM | ||
| Thin Ice Reimagined | Trent Reznor and Atticus Ross, Gustavo Santaolalla | C Major | 2 | 8B | 74 BPM | ||
| Madame | amiina | G Major | 6 | 9B | 119 BPM | ||
| Trasiemo | Greg Haines | B♭ Minor | 1 | 3A | 64 BPM | ||
| Torche (ii) | Bing & Ruth | B♭ Major | 0 | 6B | 59 BPM | ||
| To All It | Bing & Ruth | F Minor | 1 | 4A | 68 BPM | ||
| Canvas | Petri Kuljuntausta | B♭ Major | 1 | 6B | 68 BPM | ||
| Girl Nap | Brian McBride | E Major | 2 | 12B | 77 BPM | ||
| Every Shiney Night | Freescha | D♭ Minor | 9 | 12A | 202 BPM | ||
| Death Bed - Liminal Remix | Alex Somers, Liminal | D♭ Major | 3 | 3B | 132 BPM | ||
| Silence | Argamyn | A Minor | 2 | 8A | 184 BPM | ||
| Mélodrames télégraphiés (In B Major 7th), Part 1 | Brian McBride | B Major | 1 | 1B | 67 BPM | ||
| 1:57 AM | Hotel Neon | G Minor | 2 | 6A | 137 BPM | ||
| Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM | ||
| Introductions | Chris Walla | A Minor | 0 | 8A | 65 BPM | ||
| Flametop Green | Daniel Lanois | G Minor | 1 | 6A | 136 BPM | ||
| Someway | Julianna Barwick | C Major | 3 | 8B | 140 BPM | ||
| Hybrid | Michael Brook, Brian Eno, Daniel Lanois | C Minor | 4 | 5A | 140 BPM | ||
| Islands | Gravenhurst | C Major | 4 | 8B | 140 BPM |