"Melancholia VI" by William Basinski had its release date on August 12, 2003. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Melancholia VI's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William Basinski's "Melancholia" album is number 6 out of 14. On top of that, United States appears to be the country where this track was created. Melancholia VI is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Melancholia VI by William Basinski to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flat Line/Peak Color | Bing & Ruth | D♭ Minor | 2 | 12A | 75 BPM | ||
| Fantas Morbida - Kara-Lis Coverdale | Caterina Barbieri, Kara-Lis Coverdale | G Minor | 1 | 6A | 165 BPM | ||
| City of Light | Fennesz | A Minor | 0 | 8A | 79 BPM | ||
| Omni Vignette | Clark | D♭ Major | 0 | 3B | 112 BPM | ||
| Narkopop 5 | GAS | D Minor | 3 | 7A | 90 BPM | ||
| Drowning the Call | Mirrorring | D Major | 2 | 10B | 82 BPM | ||
| Melancholia I | William Basinski | E Major | 1 | 12B | 80 BPM | ||
| Them, Their | Jan Jelinek | A♭ Major | 2 | 4B | 183 BPM | ||
| Xerrox Radieuse | alva noto | E Minor | 0 | 9A | 99 BPM | ||
| Hanging | Machinefabriek | F Minor | 0 | 4A | 88 BPM | ||
| Delta Rain Dream | Jon Hassell, Brian Eno | F♯ Major | 5 | 2B | 80 BPM | ||
| Cascade 1.4 | William Basinski | B♭ Minor | 1 | 3A | 138 BPM | ||
| Gas 1 | GAS | F Major | 4 | 7B | 66 BPM | ||
| Tear Vial | William Basinski | G Minor | 0 | 6A | 69 BPM | ||
| aware | Fennesz, Ryuichi Sakamoto | F♯ Minor | 1 | 11A | 173 BPM | ||
| Almost Beautiful | Anna Homler, The Pylon King, Voices Of Kwahn | F Minor | 1 | 4A | 54 BPM | ||
| As Much as Possible | Bing & Ruth | D♭ Major | 0 | 3B | 72 BPM | ||
| VLetrmx | Autechre | C Major | 3 | 8B | 78 BPM | ||
| 4:14 | Global Communication | D Major | 2 | 10B | 148 BPM | ||
| Echoing Green | Jefre Cantu-Ledesma | D Major | 3 | 10B | 90 BPM | ||
| The Blue of Distance | Elori Saxl | C Major | 1 | 8B | 101 BPM | ||
| Piano Abg | Brian McBride | G Major | 0 | 9B | 77 BPM | ||
| Ninety Seconds for Celeste | Slow Attack Ensemble | B Minor | 0 | 10A | 113 BPM | ||
| Holding Pattern | Loscil | D Minor | 1 | 7A | 100 BPM | ||
| FLUX TWO | Robert Turman | A Minor | 4 | 8A | 82 BPM |