"Return to Port" by SIE Sound Team, 田中公平 had its release date on February 22, 2017. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in SIE Sound Team's "GRAVITY RUSH 2 Original Soundtrack - Japan Deluxe Edition" album is number 4 out of 73. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Return to Port is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Return to Port by SIE Sound Team, 田中公平 to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lost Forest | SQUARE ENIX MUSIC | G Major | 10 | 9B | 180 BPM | ||
| God-Devouring Serpent | Yoshimi Kudo | D Major | 7 | 10B | 83 BPM | ||
| New Era | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Memories of Dust | Kuniyuki Takahashi | D Minor | 6 | 7A | 73 BPM | ||
| Mass Effect Theme | Jack Wall, Sam Hulick, EA Games Soundtrack | C Major | 5 | 8B | 120 BPM | ||
| Caligo, Miasma of Night | Soma Tanizaki | A Major | 6 | 11B | 167 BPM | ||
| Malenia, Blade of Miquella | Yuka Kitamura | D Minor | 5 | 7A | 112 BPM | ||
| Burnt Ivory King | Motoi Sakuraba | A Minor | 6 | 8A | 81 BPM | ||
| Turned Around | Cicada Sirens | B♭ Major | 0 | 6B | 80 BPM | ||
| Soul Sanctum | Christopher Larkin | A♭ Major | 5 | 4B | 84 BPM | ||
| Kumo | Austin Wintory | B♭ Minor | 7 | 3A | 143 BPM | ||
| Daughter of Hatred | Ted Reedy, Diablo, Blizzard Entertainment | E♭ Minor | 4 | 2A | 131 BPM | ||
| Morgott, the Omen King | Tsukasa Saitoh | B♭ Major | 6 | 6B | 123 BPM | ||
| The Heart | Clark Aboud | E♭ Minor | 4 | 2A | 157 BPM | ||
| Prelude to FINAL FANTASY XIII | Masashi Hamauzu | D Major | 4 | 10B | 90 BPM | ||
| On the Edge Theme | Piotr Musiał | C Minor | 4 | 5A | 82 BPM | ||
| Reflection | Christopher Larkin | D Minor | 2 | 7A | 80 BPM | ||
| Blood-starved Beast | SIE Sound Team | A Minor | 7 | 8A | 150 BPM | ||
| The Sigils of Our Name | Damjan Mravunac | E Minor | 1 | 9A | 72 BPM | ||
| Coplas de Incienso | Carlos Viola | B Minor | 4 | 10A | 133 BPM | ||
| Song of the Ancients - Atonement | 岡部啓一 | A♭ Major | 7 | 4B | 85 BPM | ||
| 巨像の気配 | SIE Sound Team | A Minor | 4 | 8A | 183 BPM | ||
| Dawn | Jeremy Soule | A Minor | 0 | 8A | 92 BPM | ||
| Flamerock Refuge - Tiny Tina's Assault on Dragon Keep | Raison Varner | E Minor | 3 | 9A | 105 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM |