String Quartet No. 16 in F Major, Op. 135: I. Allegretto - 1994 Recording by Ludwig van Beethoven, Emerson String Quartet Song Details

"String Quartet No. 16 in F Major, Op. 135: I. Allegretto - 1994 Recording" by Ludwig van Beethoven, Emerson String Quartet had its release date on January 1, 1997. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 6 out of 71 in Beethoven:The String Quartets by Ludwig van Beethoven, Emerson String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, String Quartet No. 16 in F Major, Op. 135: I. Allegretto - 1994 Recording's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of String Quartet No. 16 in F Major, Op. 135: I. Allegretto - 1994 Recording by Ludwig van Beethoven, Emerson String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -21.924 dB
Acousticness: 93%
Danceability: 36%
Energy: 9%
Instrumentalness: 43%
Liveness: 29%
Loudness: 63%
Speechiness: 5%
Valence: 17%

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