Capriccio espagnol, Op. 34: IV. Scena e canto gitano by Nikolai Rimsky-Korsakov, New York Philharmonic, Zubin Mehta Song Details

"Capriccio espagnol, Op. 34: IV. Scena e canto gitano" by Nikolai Rimsky-Korsakov, New York Philharmonic, Zubin Mehta had its release date on 1961. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nikolai Rimsky-Korsakov, New York Philharmonic, London Symphony Orchestra's "Greatest Hits: Rimsky- Korsakov" album is number 5 out of 14. On top of that, United States appears to be the country where this track was created. Capriccio espagnol, Op. 34: IV. Scena e canto gitano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Capriccio espagnol, Op. 34: IV. Scena e canto gitano by Nikolai Rimsky-Korsakov, New York Philharmonic, Zubin Mehta to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.808 dB
Acousticness: 89%
Danceability: 20%
Energy: 21%
Instrumentalness: 56%
Liveness: 16%
Loudness: 72%
Speechiness: 4%
Valence: 6%

Recommendations

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Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	E♭ Major	2	5B	103 BPM
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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam	Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra	F Major	1	7B	82 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Capriccio espagnol, Op. 34: II. Variations	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	92 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
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Jazz Suite No. 2: IV. Waltz I	Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly	B♭ Major	2	6B	178 BPM
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Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Minor	0	6A	66 BPM
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6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato	Bedřich Smetana, Jitka Čechová	A Minor	0	8A	66 BPM
Tales of the Magic Tree: IV. Spider Knows His Craft	Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov	D Minor	2	7A	120 BPM
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