Capriccio espagnol, Op. 34: II. Variations by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz Song Details

"Capriccio espagnol, Op. 34: II. Variations" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz had its release date on September 6, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rimsky-Korsakov: Capriccio espagnol". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Capriccio espagnol, Op. 34: II. Variations is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Capriccio espagnol, Op. 34: II. Variations by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 23%
Loudness: -22.044 dB
Acousticness: 98%
Danceability: 14%
Energy: 4%
Instrumentalness: 89%
Liveness: 9%
Loudness: 63%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Holberg Suite, Op. 40: III. Gavotte. Allegretto	Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	79 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim	G Major	1	9B	142 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Symphony No. 40 in G Minor, K. 550 (1st Version, No Clarinets): II. Andante	Wolfgang Amadeus Mozart, London Symphony Orchestra, Claudio Abbado	C Major	3	8B	133 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso	Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons	D♭ Major	0	3B	117 BPM
Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile	Ottorino Respighi, RTÉ National Symphony Orchestra	G Major	0	9B	79 BPM
Valses nobles et sentimentales, M.61: 7. Moins vif	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	F♯ Minor	1	11A	168 BPM
Cello Concertino in G Minor, Op. 132 (arr. V. Blok): I. Andante mosso	Sergei Prokofiev, Vladimir Blok, Alexander Rudin, Ukraine National Symphony Orchestra, Theodore Kuchar	A♭ Major	1	4B	88 BPM
Capriccio Espagnol, Op. 34	Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi	F Major	1	7B	73 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, Los Angeles Philharmonic, Zubin Mehta	F Major	1	7B	124 BPM
Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro	Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra	A Minor	0	8A	82 BPM
Church Windows, P. 150: II. Saint Michael the Archangel	Ottorino Respighi, Cincinnati Symphony Orchestra, Jesús López-Cobos	F♯ Major	3	2B	74 BPM
Russian Easter Overture, Op. 36	Nikolai Rimsky-Korsakov, Leonard Slatkin, St. Louis Symphony	E Minor	3	9A	101 BPM
Béatrice et Bénédict, Op. 27, H 138: Ouverture	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	G Major	0	9B	101 BPM
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante	Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	D Major	1	10B	105 BPM
Ravel: Ma mère l'oye, M. 60: IV. Les entretiens de la Belle et de la Bête	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	A Minor	0	8A	95 BPM
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Allegro	Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn	G Major	1	9B	177 BPM
Borodin - String Quartet No.2 in D major: Scherzo: Allegro	Alexander Borodin, Borodin Quartet	C Major	2	8B	121 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	4	8B	108 BPM
Simple Symphony, Op. 4: I. Boisterous Bourrée	Benjamin Britten, English Chamber Orchestra	A Minor	2	8A	106 BPM
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	85 BPM
Symphony No. 3 in E flat, Op. 97 - "Rhenish": 2. Scherzo (Sehr mäßig)	Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini	E♭ Minor	2	2A	136 BPM