The Stylistics's 'Stop, Look, Listen (To Your Heart)' had a release date set for January 1, 1992. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Stop, Look, Listen (To Your Heart)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Stylistics's "Greatest Hits" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Stop, Look, Listen (To Your Heart) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Stop, Look, Listen (To Your Heart) by The Stylistics to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Throw It All Away | Gary Benson | A Major | 5 | 11B | 140 BPM | ||
| I Wanna Be with You | David Ruffin | A Minor | 5 | 8A | 106 BPM | ||
| For Once In My Life | Gladys Knight & The Pips | C Major | 3 | 8B | 82 BPM | ||
| Too Much, Too Little, Too Late (with Deniece Williams) | Johnny Mathis, Deniece Williams | A♭ Major | 6 | 4B | 78 BPM | ||
| I Can't Get You Outa My Mind | Yvonne Elliman | D Minor | 3 | 7A | 104 BPM | ||
| Third Finger, Left Hand | Martha Reeves & The Vandellas | D♭ Major | 7 | 3B | 113 BPM | ||
| Where Is It I Belong | The Supremes | A Major | 3 | 11B | 119 BPM | ||
| My God My God | Gobi Martin, Thandeka Mashiqa | F Major | 2 | 7B | 139 BPM | ||
| (Our Love) Don't Throw It All Away | Andy Gibb | F Major | 3 | 7B | 143 BPM | ||
| Can't Get By Without You | The Real Thing | D♭ Minor | 7 | 12A | 192 BPM | ||
| You Make Me Feel Brand New | Melanie McCabe, The Stylistics | G Major | 3 | 9B | 75 BPM | ||
| Always and Forever - Single Version | Heatwave | D Major | 2 | 10B | 152 BPM | ||
| We're in This Love Together | Al Jarreau | F Major | 3 | 7B | 79 BPM | ||
| You Make Me Feel Brand New | The Stylistics | G Major | 3 | 9B | 76 BPM | ||
| My Pretending Days Are Over - Single Version | The Dells | D♭ Minor | 4 | 12A | 137 BPM | ||
| No One's Ever Loved Me More | The Controllers | B♭ Major | 6 | 6B | 134 BPM | ||
| Stop, Look, Listen (To Your Heart) | The Stylistics | E♭ Minor | 3 | 2A | 75 BPM | ||
| Hello Stranger | Yvonne Elliman | D Minor | 3 | 7A | 104 BPM | ||
| We Can Put It Back Together | Jermaine Jackson | D Major | 3 | 10B | 142 BPM | ||
| Walk Away From Love | David Ruffin | B♭ Major | 8 | 6B | 102 BPM | ||
| The Way We Were / Try to Remember | Gladys Knight & The Pips | G Major | 3 | 9B | 147 BPM | ||
| Me for You | The Emotions | G Major | 4 | 9B | 79 BPM | ||
| You Don't Have to Go | The Chi-Lites | D♭ Major | 7 | 3B | 105 BPM | ||
| Go On and Cry - 7" | Bloodstone | B Minor | 4 | 10A | 81 BPM | ||
| Stop, Look, Listen (To Your Heart) | Michael McDonald, Toni Braxton | B♭ Minor | 6 | 3A | 74 BPM |