Bernardo Pasquini, Rinaldo Alessandrini's ' "Partite del Saltarello" was released on its scheduled release date, April 1, 1991. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. In terms of popularity, Partite del Saltarello is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Partite del Saltarello by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 1 | 2A | 117 BPM | ||
| Concerto Armonico No. 5 in F Minor: A tempo comodo (con sordini) | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | G Major | 0 | 9B | 75 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: I. Grave-Adagio | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 1 | 2B | 99 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Concerto grosso in F Major Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet" | Antonio Vivaldi, Jordi Savall, Anthony Roth Costanzo, Le Concert Des Nations | B♭ Minor | 0 | 3A | 92 BPM | ||
| Ouverture in G Major: III. Sarabande | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 113 BPM | ||
| Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia | Bernardo Pasquini, Les Paladins, Jérôme Corréas | A♭ Minor | 0 | 1A | 77 BPM | ||
| Membra Jesu nostri, BuxWV 75: II. Ad genua. Sonata in tremulo | Dietrich Buxtehude, Phantasm, Daniel Hyde | D Major | 0 | 10B | 93 BPM | ||
| Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | ||
| Missa Divi Xaverii, ZWV 12: Domine Deus II | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Major | 3 | 2B | 69 BPM | ||
| Stabat mater: VI. Quis non posset contristari | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Stabat mater: XII. Tui nati vulnerati | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| Caino e Abel: Pt. I: O, voi, ch'in questa vita altro Dio non avete (Chorus) | Bernardo Pasquini, Gian Paolo Fagotto, Nadia Ragni, Claudio Cavina, Andreana Galante, Furio Zanasi, Teatro Armonico, Il, Alessandro De Marchi | B Major | 1 | 1B | 168 BPM | ||
| Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
| Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 3 | 3B | 104 BPM | ||
| Concerto grosso No. 2 in G Major: IV. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| Stabat Mater, G. 532 (1781 Version): XI. Quando Corpus Morietur | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Minor | 0 | 9A | 116 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM | ||
| Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |