- BPM
- 95
- Key
- A Minor
- Camelot
- 8A
Polonaise by Giuseppe Verdi, Charles Mathews Song Details
"Polonaise" by Giuseppe Verdi, Charles Mathews had its release date on March 12, 2012. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 26 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Polonaise is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Polonaise by Giuseppe Verdi, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.201 dB
- Acousticness
- 97%
- Danceability
- 29%
- Energy
- 14%
- Instrumentalness
- 77%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 19%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | |
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 | Nessun Dorma! | Mario del Monaco | D♭ Major | 2 | 3B | 128 BPM | |
 | Rigoletto / Act 3: È amabile invero cotal giovinotto | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 2 | 11B | 96 BPM | |
 | Tosca, S. 69, Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" | Giacomo Puccini, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Minor | 5 | 5A | 73 BPM | |
 | Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda, Borsa, Ceprano, Marullo, Chorus) | Giuseppe Verdi, Maria Callas, Renato Ercolani, William Dickie, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan, Philharmonia Orchestra | E Major | 0 | 12B | 68 BPM | |
 | Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | A Major | 2 | 11B | 115 BPM | |
 | Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | D♭ Major | 2 | 3B | 128 BPM | |
 | Otello, Act II: Dove guardi splendono… Non parlo ancor di prova | Giuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich Haider | G Minor | 1 | 6A | 103 BPM | |
 | La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | |
 | La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
 | Lohengrin, Act III: Prelude (Concert Ending) | Richard Wagner, Wiener Philharmoniker, Karl Böhm | D♭ Major | 2 | 3B | 128 BPM | |
 | Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | |
 | Carmina Burana: V. Ecce gratum | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | |
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | |
 | 'O sole mio (Arr. Chiaramello for Tenor & Orchestra) | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | A Major | 3 | 11B | 135 BPM | |
 | Requiem, K. 626: Sequentia: Dies irae | Wolfgang Amadeus Mozart, Sir Colin Davis, Angela Maria Blasi, Marjana Lipovsek, Uwe Heilmann, Jan-Hendrik Rootering | G Minor | 4 | 6A | 80 BPM | |
 | Attila: Overture | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | A♭ Major | 1 | 4B | 97 BPM | |
 | Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | D Major | 1 | 10B | 79 BPM |
- ISRC
- ushm81216258
- Label
- L-M Records/RCA Records