Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale by Ralph Vaughan Williams, Nancy Ambrose King, Jeremy Swerling, Janáček Philharmonic Orchestra Song Details

"Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale" by Ralph Vaughan Williams, Nancy Ambrose King, Jeremy Swerling, Janáček Philharmonic Orchestra had its release date on April 26, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Nancy Ambrose King Plays Oboe Concertos by Mozart, Goossens, Vaughan Williams and Martinů". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale by Ralph Vaughan Williams, Nancy Ambrose King, Jeremy Swerling, Janáček Philharmonic Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 22%
Loudness: -20.087 dB
Acousticness: 90%
Danceability: 9%
Energy: 14%
Instrumentalness: 91%
Liveness: 9%
Loudness: 67%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Danses d'automne: No. 3, —	Bernard Andrès, Isabelle Perrin	D Minor	2	7A	105 BPM
Épice pistache	Bernard Andrès, Isabelle Perrin	G Major	2	9B	147 BPM
Sonata for Violin & Harp No. 4 in E-Flat Major, Op. 113 (Version for Cello & Harp): II. Adagio	Louis Spohr, Helga Storck, Klaus Storck	A Major	0	11B	117 BPM
Molly on the Shore, BFMS 23 (Version for Wind Ensemble)	Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset	C Major	2	8B	125 BPM
Harp Concerto in C Minor: II. Adagio	Henriette Renié, Orchestre Régional Avignon Provence, Samuel Jean, Emmanuel Ceysson	D♭ Major	0	3B	63 BPM
Suite for Strings, IV. Dashing Away	John Rutter, Orchestra of the Music Makers, Tzelaw Chan	G Minor	2	6A	173 BPM
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane	Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen	F Major	1	7B	140 BPM
Rhapsodie	Marcel Grandjany, Judy Loman	F Minor	1	4A	96 BPM
Songs of Nymphs: IV. Freedom	Marjan Mozetich, Erica Goodman	D Minor	1	7A	98 BPM
Piano Concerto No. 3 in C Minor, Op. 32: IV. Lento. Maestoso. Solenne	Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra	C Major	1	8B	77 BPM
Violin Sonata in E Minor, P. 85: II. Adagio, ma non tanto (After J.S. Bach's BWV 1023)	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	105 BPM
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso	Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins	F Major	2	7B	116 BPM
Aureate Affection	Miljan Minic, Chords And Hearts	A Minor	0	8A	59 BPM
L'Arlésienne Suite No. 1, WD 40: II. Minuetto	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	175 BPM
Saint-Saëns: Romance, Op. 37	Camille Saint-Saëns, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris	G Major	3	9B	121 BPM
Suite De Trois Morceaux, Op. 116	Benjamin Godard, Samuel Sanders, Paula Robison	G Major	1	9B	82 BPM
Kono Michi (This Path)	Lily Laskine, Jean-Pierre Rampal	G Major	1	9B	82 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Cinq nuances in B Minor: III. Idyllico	Marc Berthomieu, Dejan Gavric, Silke Aichhorn	B♭ Major	0	6B	80 BPM
Sonata: Allegro	Sophia Dussek, Judy Loman	C Minor	1	5A	126 BPM
Taktakishvili: Sonata: Aria: Moderato con moto	Otar Taktakishvili, Brian Luce, Rex Woods	D Minor	1	7A	95 BPM
Reinecke: Flute Concerto in D Major, Op. 283: III. Moderato - Più mosso	Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester	D Major	2	10B	80 BPM
Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile	Ottorino Respighi, RTÉ National Symphony Orchestra	G Major	0	9B	79 BPM
Idylle	Benjamin Godard, Marc Grauwels, Waterloo Chamber Orchestra, Ulysse Waterlot	G Major	1	9B	70 BPM
English Folk Song Suite: 1. March: Seventeen come Sunday	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	F Minor	2	4A	121 BPM