Ruth Etting's 'Mean to Me' had a release date set for January 9, 1925. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 24 out of 43 in Cryin' for the Beloved by Ruth Etting. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mean to Me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mean to Me by Ruth Etting is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Basin Street Blues | Connee Boswell | E♭ Major | 1 | 5B | 103 BPM | ||
| Look for the Silver Lining | Marion Harris | A Major | 3 | 11B | 174 BPM | ||
| Some of These Days | Sophie Tucker | F Major | 5 | 7B | 99 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| How Could Red Riding Hood Be Good? (Recorded October 1926) | Dolly Kay | D♭ Minor | 2 | 12A | 113 BPM | ||
| Me and the Man in the Moon | Helen Kane | F Major | 5 | 7B | 99 BPM | ||
| If You Want the Rainbow | Lee Morse | F Major | 5 | 7B | 99 BPM | ||
| They Can't Black Out the Moon | Harry Roy and His Orchestra | A Minor | 4 | 8A | 140 BPM | ||
| You and the Night and the Music | Debroy Sommers Band | C Minor | 1 | 5A | 63 BPM | ||
| Old Folks | Bea Wain | F Major | 5 | 7B | 99 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Deep In a Dream | Connee Boswell | D Major | 0 | 10B | 96 BPM | ||
| On the sunny side of the street | Tommy Dorsey Orchestra | E♭ Major | 1 | 5B | 114 BPM | ||
| You Do Something to Me | Lee Wiley | F Major | 5 | 7B | 99 BPM | ||
| The Song Is Ended, But the Melody Lingers On | Ruth Etting | F Major | 5 | 7B | 99 BPM | ||
| Sunday | Abe Lyman | G Major | 3 | 9B | 103 BPM | ||
| Simple Simon: Ten Cents a Dance | Richard Rodgers, Ruth Etting | C Minor | 3 | 5A | 112 BPM | ||
| Between the Devil and the Deep Blue Sea | Cab Calloway & His Orchestra | F Major | 5 | 7B | 99 BPM | ||
| Come Josephine in My Flying Machine | Billy Murray | F Major | 5 | 7B | 99 BPM | ||
| Keep Sweeping the Cobwebs off the Moon | Ted Lewis, Ruth Etting | F Major | 5 | 7B | 99 BPM | ||
| Egyptian Ella | Jack Hylton & His Orchestra | G Minor | 6 | 6A | 125 BPM | ||
| An' Furthermore | Irving Aaronson and His Commanders | E♭ Major | 5 | 5B | 115 BPM | ||
| If You Knew Susie | Billy Murray, Jack Shilkret Orchestra | F Major | 5 | 7B | 99 BPM | ||
| Sweet Madness | Bunny Berigan, Adrian Rollini And His Orchestra | F Major | 5 | 7B | 99 BPM | ||
| Kiss Me, My Honey (Rec 1911) [Edison Cylinder 1634] [Celluloid] [Comic Ragtime Song] | Billy Murray, Ada Jones | B Minor | 4 | 10A | 85 BPM |