Dave Porter's ' "Sex Robot Voice" was released on its scheduled release date, March 9, 2018. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 21 in Better Call Saul, Vol. 1 (Original Score from the TV Series) by Dave Porter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sex Robot Voice is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sex Robot Voice by Dave Porter is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Escape Concerto | Alexandre Desplat | C Major | 5 | 8B | 120 BPM | ||
| Chaotica | The Bambi Molesters | B♭ Minor | 4 | 3A | 117 BPM | ||
| Stellar Bay | Justin E. Bell | A Minor | 2 | 8A | 81 BPM | ||
| Freestyle | Taalbi Brothers | A Minor | 5 | 8A | 139 BPM | ||
| As Good a Place as Any to Start | Jesse Harlin | D Minor | 4 | 7A | 94 BPM | ||
| 3.7_2-october21.bak | Mac Quayle | G Major | 3 | 9B | 125 BPM | ||
| They're Calling My Flight | Cliff Martinez | B♭ Minor | 5 | 3A | 104 BPM | ||
| Promised Land Utopia | Cristobal Tapia De Veer | B Minor | 10 | 10A | 135 BPM | ||
| 1.2_1-IwillbeCTO.m4p | Mac Quayle | D Major | 2 | 10B | 100 BPM | ||
| Ping Island/Lightning Strike Rescue Op | Mark Mothersbaugh | F♯ Minor | 3 | 11A | 93 BPM | ||
| Handshake | Cliff Martinez | G Minor | 6 | 6A | 106 BPM | ||
| Shrink-Wrapped Items | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| King Shark and the Clyrax (feat. Jessica Rotter) | John Murphy, Jessica Rotter | B Minor | 1 | 10A | 75 BPM | ||
| Nope | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Don't Be Sorry | Daniel Licht | G Minor | 1 | 6A | 74 BPM | ||
| Le Voyageur | Mathieu Lamboley | A Minor | 1 | 8A | 149 BPM | ||
| Be Odorant | Disasterpeace | C Major | 3 | 8B | 70 BPM | ||
| Interdepartmental | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| The Smoke Room | Alexandra Woodward | F Major | 1 | 7B | 80 BPM | ||
| Lucidity Gone | Cristobal Tapia De Veer | B♭ Minor | 1 | 3A | 75 BPM | ||
| Sushi Scene | Alexandre Desplat | B♭ Minor | 3 | 3A | 100 BPM | ||
| Fresh Blood | Pilou | E♭ Major | 2 | 5B | 131 BPM | ||
| Contagion | Cliff Martinez | G Minor | 4 | 6A | 104 BPM | ||
| Welcome to Kyrat | Cliff Martinez | E Minor | 3 | 9A | 176 BPM | ||
| Mina | Dickon Hinchliffe | E Minor | 2 | 9A | 120 BPM |