On January 1, 2014, the song "Escape Concerto" was released by Alexandre Desplat. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Escape Concerto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Grand Budapest Hotel (Original Soundtrack)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, Escape Concerto's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Escape Concerto by Alexandre Desplat having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio | Georges Delerue | A Major | 4 | 11B | 141 BPM | ||
| The Lineman In E-Flat Minor | Nicholas Britell | A♭ Major | 2 | 4B | 49 BPM | ||
| Lady Bird | Jon Brion | B♭ Major | 1 | 6B | 183 BPM | ||
| A Big Trap | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | C Major | 6 | 8B | 147 BPM | ||
| Star Saliva / Industry | Jerskin Fendrix | E Major | 4 | 12B | 76 BPM | ||
| Title Credits | Jon Brion | G Minor | 2 | 6A | 110 BPM | ||
| Miss Minutes | Natalie Holt | E♭ Major | 2 | 5B | 140 BPM | ||
| Dumbledore's Army | Nicholas Hooper | G Major | 1 | 9B | 80 BPM | ||
| In Stori Stif And Stronge | Daniel Hart | D♭ Major | 2 | 3B | 139 BPM | ||
| Ping Island/Lightning Strike Rescue Op | Mark Mothersbaugh | F♯ Minor | 3 | 11A | 93 BPM | ||
| Eshkeri: Prologue (Through The Wall) | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 3 | 10B | 70 BPM | ||
| Double Room | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM | ||
| Springing Erik | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Major | 1 | 11B | 112 BPM | ||
| Truth or Dare | 조영욱과 THE SOUNDTRACKINGS | D♭ Minor | 4 | 12A | 33 BPM | ||
| The Master's House | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | A Major | 1 | 11B | 96 BPM | ||
| Snooping | Nathan Johnson | D Major | 0 | 10B | 104 BPM | ||
| I'm In The Pink | Cliff Martinez | C Minor | 1 | 5A | 110 BPM | ||
| Aftermaths | David Shire | E♭ Major | 2 | 5B | 70 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Rope and Mustache | 조영욱과 THE SOUNDTRACKINGS | A Minor | 2 | 8A | 111 BPM | ||
| Magnetic | Trent Reznor and Atticus Ross | B♭ Major | 8 | 6B | 166 BPM | ||
| Aortic Aneurysm junior | Cliff Martinez | G Minor | 2 | 6A | 176 BPM | ||
| Welcome to Hawthorne | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | B♭ Major | 3 | 6B | 112 BPM | ||
| Resolution | Jon Brion | A Minor | 0 | 8A | 116 BPM | ||
| La mort - Bande originale du film "À bout de souffle" | Martial Solal | E♭ Major | 4 | 5B | 118 BPM |