"Enigma Variations: Variation III. R.B.T - Allegretto" by Edward Elgar, Sir Colin Davis, London Symphony Orchestra had its release date on June 5, 2007. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Enigma Variations: Variation III. R.B.T - Allegretto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation III. R.B.T - Allegretto by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 59 BPM | ||
| Debussy: Cello Sonata in D Minor, CD 144, L. 135: II. Sérénade | Claude Debussy, Edgar Moreau, Bertrand Chamayou | G Major | 0 | 9B | 130 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Polonia, Op. 76 | Edward Elgar, Hallé, Sir Mark Elder | F Major | 1 | 7B | 78 BPM | ||
| Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
| Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
| Valses nobles et sentimentales, M. 61: IV. Assez animé | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E Major | 1 | 12B | 105 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": Ib. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
| Serenade: IV. Agathon. Adagio | Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Minor | 0 | 7A | 54 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
| Symphony No. 8 in F Major, Op. 93: III. Tempo di Menuetto | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | F Major | 0 | 7B | 83 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefahrtin (the Hero's Companion) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 84 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
| Symphony No. 6 in D Major, Op. 60: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 82 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 60 BPM | ||
| Enigma Variations: Variation VI. Ysobel - Andantino | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 0 | 8B | 104 BPM | ||
| Götterdämmerung, WWV 86D, Act I: Siegfried's Rhine Journey (Dawn and Siegfried's Rhine Journey) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 3 | 5B | 82 BPM | ||
| Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
| Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker | F Major | 1 | 7B | 137 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A Minor | 1 | 8A | 64 BPM |