"Tranquillity" by 眞鍋 理一郎 had its release date on 1971. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in 眞鍋 理一郎's "Godzilla vs. Hedorah Original Soundtrack" album is number 44 out of 52. On top of that, Japan appears to be the country where this track was created. Tranquillity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tranquillity by 眞鍋 理一郎 to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Are We | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| Sub-Main Title / Cussing Out the Joker / I Had a Bad Day - From The Episode "Joker's Favor" | Shirley Walker | F Minor | 2 | 4A | 112 BPM | ||
| The Big Jolt! - From "Jaws 2" | John Williams | G Major | 3 | 9B | 73 BPM | ||
| Record of a Living Being | Fumio Hayasaka | B♭ Major | 2 | 6B | 66 BPM | ||
| 強大な敵 | 山下康介 | B♭ Major | 4 | 6B | 148 BPM | ||
| Fire Cross | Noah Smith Sound | B Major | 3 | 1B | 140 BPM | ||
| Main Title | Masaru Sato | G Minor | 3 | 6A | 139 BPM | ||
| Godzilla's Bitter Struggle | 眞鍋 理一郎 | A Major | 4 | 11B | 138 BPM | ||
| The Factoryies That Strip Away The Green | 眞鍋 理一郎 | C Major | 1 | 8B | 160 BPM | ||
| Antarctica | Junkie XL | C Minor | 1 | 5A | 82 BPM | ||
| Dovetail Mate | Nicholas Pitcher | E Major | 2 | 12B | 113 BPM | ||
| Investigation At The Bottom Of The Sea | 眞鍋 理一郎 | C Major | 0 | 8B | 110 BPM | ||
| Hiruko | Akihiro Manabe | A♭ Major | 8 | 4B | 121 BPM | ||
| ショッカー襲来 | Shunsuke Kikuchi | D Minor | 4 | 7A | 143 BPM | ||
| The Raptors Appear - From "The Lost World: Jurassic Park" Soundtrack | John Williams | F Major | 5 | 7B | 137 BPM | ||
| The Cage - Doctor Bartender | Alexander Courage | A♭ Minor | 1 | 1A | 171 BPM | ||
| Multiplying | 眞鍋 理一郎 | F♯ Major | 0 | 2B | 81 BPM | ||
| Main Title | Akira Ifukube | E Major | 4 | 12B | 110 BPM | ||
| いでよ、神龍!! | 山下康介 | B♭ Minor | 1 | 3A | 80 BPM | ||
| SF交響ファンタジー第1番(1983) 「宇宙大戦争」戦争シーン | 伊福部昭, 広上淳一, Japan Philharmonic Orchestra | A Minor | 7 | 8A | 136 BPM | ||
| ウルトラマンレオ・戦い | Toru Fuyuki | F♯ Major | 2 | 2B | 106 BPM | ||
| Transformers Medley | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| 侵略者を撃て 空中戦(A2) 〈ロンドンオーケストラによる〉 | 宮内國郎 | C Major | 2 | 8B | 172 BPM | ||
| 摩可不思議 | Yuji Ohno, ユー & ザ・エクスプロージョン・バンド | B♭ Minor | 0 | 3A | 101 BPM | ||
| JINROU WO MEGURU ONNATACHI-OHKAMI NO MONSHO MUSIC FILE- | 眞鍋 理一郎 | A Major | 3 | 11B | 85 BPM |