Pt. Rattan Mohan Sharma's ' "Jo Sukh Hota Gopal Hi Gaaye" was released on its scheduled release date, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pt. Rattan Mohan Sharma's "Gopaal" album is number 2 out of 10. On top of that, France appears to be the country where this track was created. Jo Sukh Hota Gopal Hi Gaaye is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Jo Sukh Hota Gopal Hi Gaaye by Pt. Rattan Mohan Sharma to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nindraan Tyaag Karke | Sher Singh | B♭ Major | 8 | 6B | 92 BPM | ||
| Jai Jai Ganpati | Sumeet Tappoo | F♯ Minor | 5 | 11A | 140 BPM | ||
| Ram ratan dhan | Ayodhyadas Nimavat | E Major | 6 | 12B | 92 BPM | ||
| Paap Naash Evam Bhakti Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Raghav Ji | Chetna | A♭ Minor | 5 | 1A | 138 BPM | ||
| Mere Sarkar Aaye Hai | Devki Nandan Thakur Ji Maharaj | A Minor | 6 | 8A | 82 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM | ||
| SABAL SINGH RANA | Ashu Verma | E Major | 9 | 12B | 98 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Magro Ke Rath Pe Aao He Narmada Kunwari | Manish Agrawal | B Major | 7 | 1B | 95 BPM | ||
| Barsane Mai Basa Lo | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Maai Ke Dudhwa Jaisan Kavno Mithai Na Mili | Pujya Rajan Ji Official | B♭ Minor | 6 | 3A | 116 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Ya Havege Dhanto Ki | Narendra Singh Negi, Anuradha Nirala, Meena Rana | F♯ Major | 5 | 2B | 84 BPM | ||
| Baikunth Wala Brij Wala Ho Gaya | Devi Chitralekhaji | D♭ Minor | 6 | 12A | 129 BPM | ||
| Bum Bum Bole Har Har Bhole | Ravindra Jain | G Major | 4 | 9B | 84 BPM | ||
| Maar Dala | Ghulam Ali, Armaan Khan | A♭ Major | 8 | 4B | 130 BPM | ||
| Jag Me Sundar He Naam | Varsha Shrivastava | C Minor | 5 | 5A | 80 BPM | ||
| Maat Sang Chola Saaje | Kunal Chanchal | E♭ Major | 6 | 5B | 130 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Mangal Bhavan Amangal Haari | Hrishikesh Ranade | F♯ Minor | 6 | 11A | 82 BPM | ||
| Devi Aaj Mahra Aangana Ma | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 83 BPM |