Christopher O'Riley's 'Everything Means Nothing to Me' had a release date set for February 22, 2006. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Everything Means Nothing to Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher O'Riley's "Home to Oblivion: An Elliott Smith Tribute" album is number 14 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Everything Means Nothing to Me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Everything Means Nothing to Me by Christopher O'Riley to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invierno de Gestas | Senderos Del Destino | G Major | 5 | 9B | 80 BPM | ||
| Opus 28 | Dustin O'Halloran | B♭ Major | 4 | 6B | 164 BPM | ||
| Intermezzo | Ingo Höricht, Ponticulus Quartett | B♭ Major | 6 | 6B | 105 BPM | ||
| In a Landscape (1948) | John Cage, Stephen Drury | D Minor | 0 | 7A | 72 BPM | ||
| 20B: not willingly, but because of him who subjected it, | Mason Ellsworth | F Minor | 4 | 4A | 113 BPM | ||
| Fruhlingsglaube (Faith in Spring) | Franz Schubert, Franz Liszt, Christopher O'Riley | A♭ Major | 0 | 4B | 77 BPM | ||
| Cabildo, Op. 149: Ah, Love Is a jasmine vine with tendrils delicate and strong (Valerie, Pierre) - Epilogue. Mary! Come along, Darling! [Tom, Mary] | Amy Beach, Stephen Mo Hanan, Anthony Dean Griffey, Charlotte Hellekant, Eugene Perry, Paul Groves, Thomas Paul, Lauren Flanigan, Mark Peskanov, Carter Brey, Christopher O'Riley, New York Concert Singers, Ransom Wilson | B♭ Major | 0 | 6B | 75 BPM | ||
| The Heaven Ladder, Book 7: No. 5, Simone's Lullaby (Arr. for Piano 4 Hands) | Terry Riley, ZOFO Duet | B Minor | 0 | 10A | 94 BPM | ||
| Esperanza | Rachel Grimes, Rachel's | E Minor | 1 | 9A | 174 BPM | ||
| I Didn't Understand | Christopher O'Riley | F Major | 0 | 7B | 67 BPM | ||
| The Other Day | Roger Louis Harmon | A Major | 5 | 11B | 140 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
| Tabula Rasa: I. Ludus | Arvo Pärt, Angèle Dubeau, La Pietà | F Major | 3 | 7B | 112 BPM | ||
| Postcards from the Sky: I. Unfolding Sky | Marjan Mozetich, CBC Vancouver Orchestra, Mario Bernardi | F Major | 0 | 7B | 103 BPM | ||
| China Gates | John Adams, Bruce Brubaker | E♭ Minor | 1 | 2A | 153 BPM | ||
| Autumn Music 1 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
| The Short-Tempered Clavier: VI. E-Flat Major | P.D.Q.Bach, Christopher O'Riley | C Major | 0 | 8B | 146 BPM | ||
| 12 Variations in F Major on "Ein Maddchen oder Weibchen", Op. 66 | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | F Major | 1 | 7B | 134 BPM | ||
| Running By The Roads, Running By The Fields (Solo Piano) | Library Tapes | D Minor | 1 | 7A | 122 BPM | ||
| Love's Illusion | Larry Gilmour | G Minor | 1 | 6A | 74 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E Minor | 0 | 9A | 86 BPM | ||
| Mountain | Stellar Melody | F Major | 0 | 7B | 100 BPM | ||
| You married her | Marlon Halt | F Major | 0 | 7B | 76 BPM | ||
| Subterranean Homesick Alien | Christopher O'Riley | C Major | 1 | 8B | 76 BPM | ||
| Hunting Bears - Like Spinning Plates | Echo Collective | A Major | 1 | 11B | 140 BPM |